{"id":8104,"date":"2018-04-17T19:59:47","date_gmt":"2018-04-17T18:59:47","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=8104"},"modified":"2018-09-14T07:44:12","modified_gmt":"2018-09-14T06:44:12","slug":"tehnike-savijanja-papira","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/tehnike-savijanja-papira\/","title":{"rendered":"Tehnike savijanja papira -Faza 1"},"content":{"rendered":"<p>Origami arhitektura (podvrsta kirigami tehnike) je umetnost savijanja papira. Razlikuje se od origamija po tome \u0161to je ovo vrsta kojom se dobija &#8220;pop-up&#8221;efekat isecanjem i zasecanjem papira. I naravno, koristi se samo jedan papir u procesu.<\/p>\n<p><strong>Faza 1<\/strong> &#8211; Od\u0161tampati \u017eeljeni \u0161ablon, koji se mo\u017ee na\u0107i na sajtu popupology.com<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/30716218_10214667887723698_471529860834000896_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8116\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/30716218_10214667887723698_471529860834000896_n-225x300.jpg\" alt=\"30716218_10214667887723698_471529860834000896_n\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/30716218_10214667887723698_471529860834000896_n-225x300.jpg 225w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/30716218_10214667887723698_471529860834000896_n.jpg 720w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p>Ono \u0161to je obele\u017eeno punim linijama se se\u010de, a isprekidane linije se samo malo zaseku zbog savijanja.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/30714509_10214667569275737_1236279552737542144_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8119\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/30714509_10214667569275737_1236279552737542144_n-225x300.jpg\" alt=\"30714509_10214667569275737_1236279552737542144_n\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/30714509_10214667569275737_1236279552737542144_n-225x300.jpg 225w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/30714509_10214667569275737_1236279552737542144_n.jpg 720w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/30704746_10214667569315738_5656030913000112128_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8120\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/30704746_10214667569315738_5656030913000112128_n-225x300.jpg\" alt=\"30704746_10214667569315738_5656030913000112128_n\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/30704746_10214667569315738_5656030913000112128_n-225x300.jpg 225w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/30704746_10214667569315738_5656030913000112128_n.jpg 720w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Origami arhitektura (podvrsta kirigami tehnike) je umetnost savijanja papira. Razlikuje se od origamija po tome \u0161to je ovo vrsta kojom se dobija &#8220;pop-up&#8221;efekat isecanjem i zasecanjem papira. I naravno, koristi se samo jedan papir u procesu. Faza 1 &#8211; Od\u0161tampati \u017eeljeni \u0161ablon, koji se mo\u017ee na\u0107i na sajtu popupology.com Ono \u0161to je obele\u017eeno punim linijama&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/tehnike-savijanja-papira\/\">Continue reading <span class=\"screen-reader-text\">Tehnike savijanja papira -Faza 1<\/span><\/a><\/p>\n","protected":false},"author":323,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"coauthors":[379],"class_list":["post-8104","post","type-post","status-publish","format-standard","hentry","category-opste","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/8104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/323"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=8104"}],"version-history":[{"count":4,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/8104\/revisions"}],"predecessor-version":[{"id":8824,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/8104\/revisions\/8824"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=8104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=8104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=8104"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=8104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}