{"id":7857,"date":"2018-04-17T12:48:30","date_gmt":"2018-04-17T11:48:30","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=7857"},"modified":"2018-04-17T16:56:34","modified_gmt":"2018-04-17T15:56:34","slug":"z-brush-sculpting-corpse-bride-faza-i","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/z-brush-sculpting-corpse-bride-faza-i\/","title":{"rendered":"Z Brush Sculpting &#8211; Corpse Bride (FAZA I)"},"content":{"rendered":"<p><strong>Oblast:<\/strong> Modelovanje crtanih likova u Z Brush-u<\/p>\n<p style=\"text-align: left\"><strong>Problem:<\/strong> Kako je izabrani crtani lik \u2013 Corpse Bride (iz istoimenog animiranog filma Tima Burtona), sam po sebi kompleksan, potrebno je izabrati najbolju taktiku modelovanja u Z Brush softveru, tako da dobijemo pribli\u017eno (ili, najbolje, skroz) jednak rezultat kao i lik u samom filmu.<\/p>\n<p style=\"text-align: left\">Kod lika je uo\u010dena asimetri\u010dnost, kao i veliki broj detalja \u2013 poput razli\u010ditih tekstura tkanina, vezova, detaljnosti kose, cve\u0107a, detalja lica, pa \u010dak i razlika u delovima tela (ruke, noge).<\/p>\n<p style=\"text-align: left\"><strong>Metoda:<\/strong> Z Brush Clay Sculpting<\/p>\n<p style=\"text-align: left\"><strong>Cilj:<\/strong> Izmodelovati \u0161to realisti\u010dniji\/ pribli\u017eniji model Corpse Bride lika sa \u0161to vi\u0161e\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 karakteristi\u010dnih detalja<\/p>\n<p style=\"text-align: left\"><strong>Referentne fotografije:<\/strong><\/p>\n<p style=\"text-align: left\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/970941C95007RTL.jpg.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7867\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/7d752b824e831dccb40c48edf97f22dd-196x300.jpg\" alt=\"7d752b824e831dccb40c48edf97f22dd\" width=\"196\" height=\"300\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/7d752b824e831dccb40c48edf97f22dd-196x300.jpg 196w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/7d752b824e831dccb40c48edf97f22dd.jpg 500w\" sizes=\"auto, (max-width: 196px) 100vw, 196px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7868\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/970941C95007RTL.jpg-228x300.jpg\" alt=\"970941C95007RTL.jpg\" width=\"228\" height=\"300\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/970941C95007RTL.jpg-228x300.jpg 228w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2018\/04\/970941C95007RTL.jpg.jpg 380w\" sizes=\"auto, (max-width: 228px) 100vw, 228px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oblast: Modelovanje crtanih likova u Z Brush-u Problem: Kako je izabrani crtani lik \u2013 Corpse Bride (iz istoimenog animiranog filma Tima Burtona), sam po sebi kompleksan, potrebno je izabrati najbolju taktiku modelovanja u Z Brush softveru, tako da dobijemo pribli\u017eno (ili, najbolje, skroz) jednak rezultat kao i lik u samom filmu. Kod lika je uo\u010dena&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/z-brush-sculpting-corpse-bride-faza-i\/\">Continue reading <span class=\"screen-reader-text\">Z Brush Sculpting &#8211; Corpse Bride (FAZA I)<\/span><\/a><\/p>\n","protected":false},"author":281,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[313],"tags":[],"coauthors":[325],"class_list":["post-7857","post","type-post","status-publish","format-standard","hentry","category-1718-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/7857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/281"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=7857"}],"version-history":[{"count":2,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/7857\/revisions"}],"predecessor-version":[{"id":8008,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/7857\/revisions\/8008"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=7857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=7857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=7857"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=7857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}