{"id":24685,"date":"2026-04-03T13:46:34","date_gmt":"2026-04-03T12:46:34","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=24685"},"modified":"2026-04-06T11:53:13","modified_gmt":"2026-04-06T10:53:13","slug":"formiranje-reciprocne-strukture-poocu-zvuka","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/formiranje-reciprocne-strukture-poocu-zvuka\/","title":{"rendered":"Uticaj recipro\u010dne geometrije na akustiku prostora koncertne sale &#8211; Faza 1"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/rokko-shidare-opservatorija.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"898\" height=\"500\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/rokko-shidare-opservatorija.jpg\" alt=\"Rokko Shidare Observatory\" class=\"wp-image-24702\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/rokko-shidare-opservatorija.jpg 898w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/rokko-shidare-opservatorija-300x167.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/rokko-shidare-opservatorija-768x428.jpg 768w\" sizes=\"auto, (max-width: 898px) 100vw, 898px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-extra-small-font-size\"><em>Rokko Shidare observatory<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading has-normal-font-size\">Oblast istra\u017eivanja: modelovanje<\/h2>\n\n\n\n<p>Tema istra\u017eivanja: Uticaj primene recipro\u010dne geometrije u plafonskoj strukturi na akustiku prostora koncertne sale<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/primer-prostorije.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"450\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/primer-prostorije.jpg\" alt=\"\" class=\"wp-image-24710\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/primer-prostorije.jpg 600w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/primer-prostorije-300x225.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-extra-small-font-size\">Primer enterijera koncertne sale<\/p>\n\n\n\n<p>Stanje u oblasti:<br><br><a href=\"https:\/\/link.springer.com\/article\/10.1007\/s00004-014-0177-9\">https:\/\/link.springer.com\/article\/10.1007\/s00004-014-0177-9<\/a> &#8211; Dizajn i fabrikacija recipro\u010dnih struktura slobodne forme<br><br><a href=\"https:\/\/link.springer.com\/article\/10.1007\/s00004-017-0352-x\">https:\/\/link.springer.com\/article\/10.1007\/s00004-017-0352-x<\/a> &#8211; Recipro\u010dna geometrija u privremenim strukturama: Estetsko i parametarsko istra\u017eivanje<br><br><a href=\"https:\/\/www.academia.edu\/84152569\/Acoustic_criteria_of_concert_hall_design\">https:\/\/www.academia.edu\/84152569\/Acoustic_criteria_of_concert_hall_design<\/a> &#8211; Neki akusti\u010dki kriterijumi za dizajn koncertne sale<br><br><a href=\"https:\/\/www.academia.edu\/28715202\/Acoustic_consideration_and_musical_influences_in_the_architecture_of_concert_halls\">https:\/\/www.academia.edu\/28715202\/Acoustic_consideration_and_musical_influences_in_the_architecture_of_concert_halls<\/a> &#8211; Razumevanje akusti\u010dkih zahteva i muzi\u010dkih uticaja na arhitekturu koncertnih sala<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/primer-strukture.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"478\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/primer-strukture-1024x478.jpg\" alt=\"\" class=\"wp-image-24711\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/primer-strukture-1024x478.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/primer-strukture-300x140.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/primer-strukture-768x359.jpg 768w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/primer-strukture.jpg 1285w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-extra-small-font-size\">Primer recipro\u010dne strukture<\/p>\n\n\n\n<p>Problemi:<br><br>Problemi u oblasti recipro\u010dnih struktura: Geometrija i sklapanje ovih struktura su specifi\u010dni, tako da se uglavnom koriste za formiranje struktura u eksterijeru<br><br>Problemi u oblasti akustike koncertnih sala: Akustika ovih prostora zavisi u visokoj meri od geometrije same sale, ali i od svih dodatnih elemenata enterijera (sedi\u0161ta, broja sedi\u0161ta, oblika bine&#8230;)<br><br>Problemi u kombinovanju ove dve oblasti: Uvodjenje nove geometrije u prostor koncertne sale, a posebno ovakve kao \u0161to je recipro\u010dna struktura koja je formirana od velikog broja pojedina\u010dnih elemenata, zna\u010dajno \u0107e izmeniti akustiku prostora<\/p>\n\n\n\n<p>Cilj istra\u017eivanja: Odrediti kakav uticaj na akustiku prostora ima razli\u010dita gustina mre\u017ee recipro\u010dne geometrije plafona koncertne sale shoebox tipologije  <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/Shoebox-concert-hall.png\"><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"705\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/Shoebox-concert-hall.png\" alt=\"\" class=\"wp-image-24766\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/Shoebox-concert-hall.png 601w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2026\/04\/Shoebox-concert-hall-256x300.png 256w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-extra-small-font-size\">Primer osnove koncertne sale shoebox tipologije<\/p>\n\n\n\n<p>Hipoteza: Pove\u0107anjem gustine mre\u017ee recipro\u010dne geometrije plafona koncertne sale <strong>pobolj\u0161ava<\/strong> se akustika prostora<\/p>\n\n\n\n<p>Kriterijumi: <br>Reverberacijsko vreme (preporu\u010deno za koncertne sale RT<sub>60<\/sub> 1.6 &#8211; 2s)<br>Jasno\u0107a zvuka CD80 (preporu\u010deno za koncertne sale -2db do +2db)<br>Gustina elemenata recipro\u010dne strukture plafona koncertne sale<\/p>\n\n\n\n<p>Metodologija istra\u017eivanja:<br>Modelovanje, simulacija i poredjenje<br>Alati: Rhinoceros 3D i Pachyderm Acoustical Simulation<br>Modelova\u0107emo nekoliko verzija recipro\u010dne strukture plafona u Rhinoceros 3D softveru (najmanje 3 verzije koje se razlikuju po gustini mre\u017ee), zatim uraditi simulaciju prostiranja zvuka kroz ovakav prostor u Pachyderm softveru i uporediti na kraju dobijene rezultate, da bismo videli kakav uticaj na RT<sub>60<\/sub> i CD80 prostora koncertne sale ima promena gustine mre\u017ee recipro\u010dne geometrije plafona koncertne sale shoebox tipologije.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rokko Shidare observatory Oblast istra\u017eivanja: modelovanje Tema istra\u017eivanja: Uticaj primene recipro\u010dne geometrije u plafonskoj strukturi na akustiku prostora koncertne sale Primer enterijera koncertne sale Stanje u oblasti: https:\/\/link.springer.com\/article\/10.1007\/s00004-014-0177-9 &#8211; Dizajn i fabrikacija recipro\u010dnih struktura slobodne forme https:\/\/link.springer.com\/article\/10.1007\/s00004-017-0352-x &#8211; Recipro\u010dna geometrija u privremenim strukturama: Estetsko i parametarsko istra\u017eivanje https:\/\/www.academia.edu\/84152569\/Acoustic_criteria_of_concert_hall_design &#8211; Neki akusti\u010dki kriterijumi za dizajn koncertne&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/formiranje-reciprocne-strukture-poocu-zvuka\/\">Continue reading <span class=\"screen-reader-text\">Uticaj recipro\u010dne geometrije na akustiku prostora koncertne sale &#8211; Faza 1<\/span><\/a><\/p>\n","protected":false},"author":730,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[739],"tags":[],"coauthors":[735],"class_list":["post-24685","post","type-post","status-publish","format-standard","hentry","category-25-26-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/24685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/730"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=24685"}],"version-history":[{"count":4,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/24685\/revisions"}],"predecessor-version":[{"id":24768,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/24685\/revisions\/24768"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=24685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=24685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=24685"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=24685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}