{"id":23513,"date":"2025-10-09T12:18:15","date_gmt":"2025-10-09T11:18:15","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=23513"},"modified":"2025-10-11T09:26:36","modified_gmt":"2025-10-11T08:26:36","slug":"vaza-za-tradicionalnu-ikebanu","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/vaza-za-tradicionalnu-ikebanu\/","title":{"rendered":"Modelovanje vaze u skladu sa principima tradicionalne umetnosti ikebane"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/ajjd-i-ovo-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"508\" height=\"508\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/ajjd-i-ovo-3.jpg\" alt=\"\" class=\"wp-image-24033\" style=\"width:289px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/ajjd-i-ovo-3.jpg 508w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/ajjd-i-ovo-3-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/ajjd-i-ovo-3-150x150.jpg 150w\" sizes=\"auto, (max-width: 508px) 100vw, 508px\" \/><\/a><\/figure><\/div>\n\n\n<p><em>Glavne odlike<\/em> ikebane uklju\u010duju <strong>asimetriju<\/strong>, <strong>minimalizam<\/strong> i <strong>linijsku strukturu<\/strong> dok se klju\u010dne karakteristike ogledaju kroz kompoziciju sastavljenu od tanjih biljaka sa strane i debljih u sredi\u0161tu. Namerno ostavljena praznina unosi ravnote\u017eu celokupnom aran\u017emanu.<\/p>\n\n\n\n<p><em>Vaze za ikebanu <\/em>\u010desto ukljucuju neke dodatne elemente poput peska ili 3d \u0161tampane vaze poput modela sa rupicama. Me\u0111utim, kod njih se javljaju odre\u0111eni nedostaci.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/3d-Printed-Floral-Shaped-And-Nature-Inspired-Coffee-Tables-By-NYXO-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"736\" height=\"735\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/3d-Printed-Floral-Shaped-And-Nature-Inspired-Coffee-Tables-By-NYXO-1.jpg\" alt=\"\" class=\"wp-image-23857\" style=\"width:280px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/3d-Printed-Floral-Shaped-And-Nature-Inspired-Coffee-Tables-By-NYXO-1.jpg 736w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/3d-Printed-Floral-Shaped-And-Nature-Inspired-Coffee-Tables-By-NYXO-1-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/3d-Printed-Floral-Shaped-And-Nature-Inspired-Coffee-Tables-By-NYXO-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 736px) 100vw, 736px\" \/><\/a><\/figure><\/div>\n\n\n<p><em>Problematika<\/em>: iako na prvi pogled deluju pogodne za ikebanu, one zapravo ne prate pravila tradicionalne japanske umetnosti aran\u017eiranja cve\u0107a: deblje i vi\u0161e stabljike postavljaju se bli\u017ee centru, dok tanje i ne\u017enije idu ka spolja. Pored toga, ovakve vaze nisu prakti\u010dne, jer je ote\u017eano odr\u017eavanje i \u010di\u0161\u0107enje .<\/p>\n\n\n\n<p><em>Kriterijumi<\/em>: <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>ispunjavanje estetskih i kompozicionih karakteristika ikebane, <\/li>\n\n\n\n<li>lako\u0107a aran\u017eiranja biljaka (pogodnost za po\u010detnike)<\/li>\n\n\n\n<li>odr\u017eivost vaze (i cve\u0107a).<\/li>\n<\/ul>\n\n\n\n<p><strong>Na\u010din formiranja vaze:<\/strong><\/p>\n\n\n\n<p>Vaza je oblikovana u <strong><em>Grasshopperu<\/em><\/strong>, pri \u010demu je za generisanje ovakve strukture prvenstveno kori\u0161\u0107en <em>Kangaroo <\/em>alat, zasnovan na principima formiranja mre\u017enih struktura kroz simulaciju fizi\u010dkih sila. Definisana je \u201eteritorija\u201c unutar koje se segmenti slobodno pomeraju pod dejstvom tih sila.<\/p>\n\n\n\n<p>Za bazu vaze kori\u0161\u0107ena je kriva sa minimalnim brojem segmenata, na koju deluje najmanji intenzitet sila. Ovakav pristup omogu\u0107ava formiranje glatkog dna bez nepristupa\u010dnih delova, \u0161to olak\u0161ava \u010di\u0161\u0107enje. Time se re\u0161ava jedan od spominituh pote\u0161ko\u0107a ovakvih vaza.<\/p>\n\n\n\n<div class=\"wp-block-group is-layout-grid wp-container-core-group-is-layout-1 wp-block-group-is-layout-grid\">\n<figure class=\"wp-block-image size-full wp-container-content-1\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"447\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc1.jpg\" alt=\"\" class=\"wp-image-23636\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc1.jpg 448w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc1-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc1-150x150.jpg 150w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"507\" height=\"507\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc2.jpg\" alt=\"\" class=\"wp-image-23637\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc2.jpg 507w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc2-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc2-150x150.jpg 150w\" sizes=\"auto, (max-width: 507px) 100vw, 507px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-container-content-2\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"476\" height=\"476\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc3.jpg\" alt=\"\" class=\"wp-image-23638\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc3.jpg 476w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc3-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc3-150x150.jpg 150w\" sizes=\"auto, (max-width: 476px) 100vw, 476px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<p>Broj segmenata i intenzitet delovanja sila postepeno se pove\u0107avaju u svakom narednom koraku. Time se formira kompleksna mre\u017easta struktura koja vizuelno podse\u0107a na koral. Tokom ovog procesa struktura se progresivno zgu\u0161njava, sve dok se ne postigne \u017eeljeni stepen perforacija.<\/p>\n\n\n\n<div class=\"wp-block-group is-layout-grid wp-container-core-group-is-layout-3 wp-block-group-is-layout-grid\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc4-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"487\" height=\"488\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc4-2.jpg\" alt=\"\" class=\"wp-image-23640\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc4-2.jpg 487w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc4-2-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc4-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 487px) 100vw, 487px\" \/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc5.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"538\" height=\"538\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc5.jpg\" alt=\"\" class=\"wp-image-23641\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc5.jpg 538w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc5-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc5-150x150.jpg 150w\" sizes=\"auto, (max-width: 538px) 100vw, 538px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc6-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"648\" height=\"648\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc6-1.jpg\" alt=\"\" class=\"wp-image-23642\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc6-1.jpg 648w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc6-1-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc6-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<p><em>Otvori<\/em>: po\u010dinju od 3mm na obodima vaze i postepeno rastu ka unutra\u0161njosti gde \u0107e biti oko 12mm<strong>.<\/strong> Tako se dobija struktura gde su perforacije sitnije na obodima, dok je otvor najve\u0107i u centralnom delu, \u010dime se ispunjavaju kriterijumi tradicionalne ikebane.<\/p>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-4 wp-block-group-is-layout-flex\">\n<p>\u017deljeni oblik <\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc8-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"568\" height=\"568\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc8-2.jpg\" alt=\"\" class=\"wp-image-23829\" style=\"width:272px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc8-2.jpg 568w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc8-2-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/sc8-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 568px) 100vw, 568px\" \/><\/a><\/figure>\n\n\n\n<p>perforacija<\/p>\n<\/div>\n\n\n\n<p>Planirani oblik zadnjeg sloja je dobijen pomo\u0107u \u017eeljenog oblika perforacija sa vrlo velikim brojem segmenata \u0161to dovodi do slede\u0107ih izazova i benefita:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Veliki broj perforacija omogu\u0107ava precizno postavljanje biljaka, \u0161to spre\u010dava njihovo pomeranje i omogu\u0107ava lako formiranje praznina izme\u0111u pojedinih elemenata aran\u017emana.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Slo\u017eenost kontrole nad strukturom predstavlja izazov u procesu modelovanja, jer je te\u0161ko posti\u0107i glatku i uravnote\u017eenu formu bez izra\u017eenih izbo\u010dina.<\/li>\n\n\n\n<li>Vizuelna nepovoljnost se javlja kod varijanti sa ve\u0107im brojem segmenata, budu\u0107i da preterana razu\u0111enost forme dovodi do naru\u0161avanja estetske skladnosti i stvaranja vizuelno neprivla\u010dnog izgleda.<\/li>\n\n\n\n<li>Varijanta sa ve\u0107im brojem perforacija uzrokuje ote\u017eano \u010di\u0161\u0107enje.<\/li>\n<\/ul>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-5 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/i-jos-ovo-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"535\" height=\"535\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/i-jos-ovo-1.jpg\" alt=\"\" class=\"wp-image-23845\" style=\"width:302px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/i-jos-ovo-1.jpg 535w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/i-jos-ovo-1-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/i-jos-ovo-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/rr-vv-11-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"318\" height=\"318\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/rr-vv-11-2.jpg\" alt=\"\" class=\"wp-image-23843\" style=\"width:300px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/rr-vv-11-2.jpg 318w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/rr-vv-11-2-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/rr-vv-11-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 318px) 100vw, 318px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<p>Po\u0161to struktura nije zadovoljavala prethodno navedene kriterijume poku\u0161an je pristup u kom se koristi dosta manji broj segmenata.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Manji broj perforacija omogu\u0107ava precizno postavljanje biljaka ali ne spre\u010dava u potpunosti njihovo pomeranje. Istovremeno, to olak\u0161ava formiranje praznina izme\u0111u pojedinih elemenata aran\u017emana.<\/li>\n\n\n\n<li>Proces modelovanja je jednostavniji, \u0161to omogu\u0107ava ve\u0107u kontrolu nad formom i postizanje glatke, uravnote\u017eene povr\u0161ine.<\/li>\n\n\n\n<li>Manji broj segmenata lak\u0161e se kontroli\u0161e, pa se mo\u017ee posti\u0107i estetski privla\u010dnija forma bez naglih izbo\u010dina.<\/li>\n\n\n\n<li>Zbog ve\u0107ih otvora, \u010di\u0161\u0107enje vaze je znatno olak\u0161ano.<\/li>\n<\/ul>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-6 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/ajjd-i-ovo-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"508\" height=\"508\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/ajjd-i-ovo-2.jpg\" alt=\"\" class=\"wp-image-23837\" style=\"width:326px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/ajjd-i-ovo-2.jpg 508w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/ajjd-i-ovo-2-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/ajjd-i-ovo-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 508px) 100vw, 508px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/rr-vv-10-i.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/rr-vv-10-i.jpg\" alt=\"\" class=\"wp-image-23839\" style=\"width:323px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/rr-vv-10-i.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/rr-vv-10-i-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<p>Na osnovu navedenih zapa\u017eanja i uporedne analize, druga struktura se pokazala funkcionalno i estetski prikladnijom, te je odabrana za finalno re\u0161enje.<\/p>\n\n\n\n<p>Dobijena struktura ima slobodno dno i postepeno se zgu\u0161njava ka vrhu, formiraju\u0107i slo\u017eenu i dinami\u010dnu mre\u017eu pogodnu za umetanje i aran\u017eiranje razli\u010ditih vrsta cve\u0107a. Ovakva organizacija omogu\u0107ava stabilno postavljanje cvetnih elemenata, dok istovremeno zadr\u017eava ose\u0107aj lako\u0107e i prozra\u010dnosti cele kompozicije.<\/p>\n\n\n\n<p><strong>Rezultuju\u0107e vrednosti vaze<\/strong>:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Dno sa manjim brojem segmenata stvara sobodno dno koje omogu\u0107ava lako \u010di\u0161\u0107enje i odr\u017eavanje.<\/li>\n\n\n\n<li>Postepeno \u0161irenje oblika stvara mogu\u0107nost postavljanja kra\u0107ih biljaka pri obodima gde se stvara sekundarno dno na ve\u0107oj visini.<\/li>\n\n\n\n<li>Ritmi\u010dne perforacije u gornjem delu vaze se kre\u0107u od manjih perforacija ka obodima do ve\u0107ih ka unutra\u0161njost, \u010dine\u0107i je pogodnom za upotrebu, pogotovo za po\u010detnike.<\/li>\n\n\n\n<li>Asimetri\u010dna struktura ispunjava japanski kriterijum ravnote\u017ee izme\u0111u reda i nesavr\u0161enosti.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/render-v5-2-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"721\" height=\"720\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/render-v5-2-1.jpg\" alt=\"\" class=\"wp-image-23815\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/render-v5-2-1.jpg 721w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/render-v5-2-1-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/10\/render-v5-2-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 721px) 100vw, 721px\" \/><\/a><\/figure>\n\n\n\n<p>Kao rezultat dobijena je zanimljiva, futuristi\u010dka vaza koja, iako na prvi pogled ne deluje kao klasi\u010dni ikebana pribor, ispunjava sve njene funkcionalne i estetske principe. Time je potvr\u0111ena ispravnost postavljene hipoteze.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Glavne odlike ikebane uklju\u010duju asimetriju, minimalizam i linijsku strukturu dok se klju\u010dne karakteristike ogledaju kroz kompoziciju sastavljenu od tanjih biljaka sa strane i debljih u sredi\u0161tu. Namerno ostavljena praznina unosi ravnote\u017eu celokupnom aran\u017emanu. Vaze za ikebanu \u010desto ukljucuju neke dodatne elemente poput peska ili 3d \u0161tampane vaze poput modela sa rupicama. Me\u0111utim, kod njih se&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/vaza-za-tradicionalnu-ikebanu\/\">Continue reading <span class=\"screen-reader-text\">Modelovanje vaze u skladu sa principima tradicionalne umetnosti ikebane<\/span><\/a><\/p>\n","protected":false},"author":668,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"coauthors":[642],"class_list":["post-23513","post","type-post","status-publish","format-standard","hentry","category-opste","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/23513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/668"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=23513"}],"version-history":[{"count":39,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/23513\/revisions"}],"predecessor-version":[{"id":24035,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/23513\/revisions\/24035"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=23513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=23513"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=23513"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=23513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}