{"id":22254,"date":"2025-09-07T17:28:41","date_gmt":"2025-09-07T16:28:41","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=22254"},"modified":"2025-10-11T00:25:23","modified_gmt":"2025-10-10T23:25:23","slug":"vizuelni-jezik-rubikove-kocke-faza-ii","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/vizuelni-jezik-rubikove-kocke-faza-ii\/","title":{"rendered":"Rubikova kocka &#8211; \u201eVizuelni trag pokreta\u201c &#8211; Faza II"},"content":{"rendered":"\n<p>Metoda istra\u017eivanja podeljena je u <strong><em>tri dela<\/em><\/strong> koja obja\u0161njavaju proces nastanka i formiranja <strong><em>slobodne forme<\/em><\/strong>.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Prvi deo<\/strong> se fokusira na definisanje <em>pravaca kretanja<\/em>, sa ciljem upoznavanja mogu\u0107ih pravaca kretanja koji oblikuju formu.<\/li>\n\n\n\n<li><strong>Drugi deo<\/strong> ispituje <em>smer rotacije<\/em>, \u010dime se razume dinami\u010dka struktura formiranja oblika i njegova prostorna logika.<\/li>\n\n\n\n<li><strong>Tre\u0107i deo<\/strong> se odnosi na <em>sistem boja<\/em>, koji prati pokret i ima za cilj da doprinese jasno\u0107i forme i olak\u0161a njeno razumevanje.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>1. Deo &#8211; Pravac kretanja<\/strong><\/h2>\n\n\n\n<p>Osnovnih <strong>pravaci kretanja<\/strong> koji \u010dine polaznu ta\u010dku u procesu su &#8211; <em>up, down, left, right, front<\/em> i <em>back<\/em>, to jest <em>gore, dole, levo, desno, napred i nazad<\/em>. Pravci kretanja posmatraju se kao osnovni gradivni elementi pokreta, koji omogu\u0107avaju postavljanje temelja za dalje faze istra\u017eivanja.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/turnnotation.png\"><img loading=\"lazy\" decoding=\"async\" width=\"506\" height=\"331\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/turnnotation.png\" alt=\"\" class=\"wp-image-23418\" style=\"width:313px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/turnnotation.png 506w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/turnnotation-300x196.png 300w\" sizes=\"auto, (max-width: 506px) 100vw, 506px\" \/><\/a><\/figure><\/div>\n\n\n<div class=\"wp-block-group has-small-font-size is-content-justification-center is-nowrap is-layout-flex wp-container-core-group-is-layout-2 wp-block-group-is-layout-flex\" style=\"padding-top:0;padding-right:var(--wp--preset--spacing--30);padding-bottom:0;padding-left:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-group has-extra-small-font-size\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<details class=\"wp-block-details has-extra-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Fotografija 1: Grafi\u010dki prikaz pravaca kretanja Rubikove kocke<\/summary>\n<ul class=\"wp-block-list\">\n<li>Izvor:<a href=\"https:\/\/slozimorubikovukocku.wordpress.com\/2018\/07\/26\/the-journey-begins\/\">https:\/\/slozimorubikovukocku.wordpress.com\/2018\/07\/26\/the-journey-begins\/<\/a><\/li>\n<\/ul>\n<\/details>\n<\/div><\/div>\n<\/div>\n\n\n\n<p>Proces istra\u017eivanja zapo\u010dinje iz <strong>jedne po\u010detne ta\u010dke<\/strong>, iz koje se razvija kompletna <em>struktura slobodne forme<\/em>. U toj ta\u010dki defini\u0161e se i <strong>ravan<\/strong> koja kroz nju prolazi i postaje osnovni referentni element za dalje transformacije.<\/p>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-215055.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"527\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-215055-1024x527.png\" alt=\"\" class=\"wp-image-23411\" style=\"width:411px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-215055-1024x527.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-215055-300x154.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-215055-768x396.png 768w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-215055-1536x791.png 1536w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-215055-1568x808.png 1568w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-215055.png 2035w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n<div class=\"wp-block-group has-small-font-size is-content-justification-center is-nowrap is-layout-flex wp-container-core-group-is-layout-4 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group has-extra-small-font-size\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<details class=\"wp-block-details has-extra-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Fotografija 2: Grafi\u010dki prikaz ta\u010dke i ravni; Prikaz koda u grasshopper-u<\/summary>\n<p>Izvor: autorska fotografija<\/p>\n<\/details>\n<\/div><\/div>\n<\/div>\n\n\n\n<p class=\"has-normal-font-size\">Kretanje ta\u010dke u prostoru odvija se prema zadatim <strong>pravcima kretanja<\/strong> kocke. Na osnovu izabranog poteza formira se <strong>kriva linija<\/strong> koja uvek <strong>po\u010dinje iz po\u010detne ta\u010dke<\/strong> i prati smer pokreta.<\/p>\n\n\n\n<p>Va\u017eno je naglasiti da se <strong>pomeranje ta\u010dke uvek odvija u pravcu normale na ravan<\/strong>, a tek zatim prema instrukciji koja defini\u0161e smer kretanja. Na taj na\u010din svaka nova pozicija ta\u010dke ostaje u prostornoj vezi sa prethodnim korakom.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-231551-2.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"497\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-231551-2-1024x497.png\" alt=\"\" class=\"wp-image-23443\" style=\"width:414px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-231551-2-1024x497.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-231551-2-300x146.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-231551-2-768x373.png 768w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-231551-2-1536x746.png 1536w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-231551-2-2048x994.png 2048w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-08-231551-2-1568x761.png 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n<div class=\"wp-block-group has-extra-small-font-size is-content-justification-center is-nowrap is-layout-flex wp-container-core-group-is-layout-5 wp-block-group-is-layout-flex\">\n<details class=\"wp-block-details has-extra-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Fotografija 3: Grafi\u010dki prikaz dobijene krive, primer pravca kretanja u levo; Prikaz koda u grasshopper-u<\/summary>\n<p>Izvor: autorska fotografija<\/p>\n<\/details>\n<\/div>\n\n\n\n<p>Nakon svakog poteza, <strong>ravan se rotira<\/strong> u odnosu na prethodni polo\u017eaj, i to u skladu sa instrukcijom koja defini\u0161e slede\u0107i pravac kretanja. Proces se potom ponavlja \u2013 iz nove ravni ponovo se formira kriva koja polazi iz prethodne ta\u010dke, \u010dime se gradi <strong>kontinuirani niz poteza<\/strong> koji zajedno \u010dine osnovu za nastanak slobodne forme.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-091650.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"465\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-091650-1024x465.png\" alt=\"\" class=\"wp-image-23587\" style=\"width:451px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-091650-1024x465.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-091650-300x136.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-091650-768x349.png 768w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-091650-1536x698.png 1536w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-091650-2048x931.png 2048w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-091650-1568x712.png 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-center is-layout-flex wp-container-core-group-is-layout-6 wp-block-group-is-layout-flex\">\n<details class=\"wp-block-details has-extra-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Fotografija 4: Prikaz koda koji je zaslu\u0161an za rotiranje ravni<\/summary>\n<p class=\"has-extra-small-font-size\">Izvor: autorska fotografija<\/p>\n<\/details>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">1.1 Ograni\u010denje ispitivanja<\/h3>\n\n\n\n<p>Tokom ispitivanja pravaca kretanja uo\u010deno je <strong>ograni\u010denje u funkcionisanju pokreta \u201eback\u201c<\/strong>.<\/p>\n\n\n\n<p>Naime, kada program dobije instrukciju da se ta\u010dka pomeri unazad, dolazi do povratka u prethodnu poziciju, \u010dime se prekida kontinuitet formiranja linije i gubi logika sekvencijalnog kretanja. <\/p>\n\n\n\n<p>Za razliku od pokreta <em>left<\/em>, <em>right<\/em>, <em>up<\/em> <em>i<\/em> <em>down<\/em>, koji omogu\u0107avaju neprekidno napredovanje u prostoru, potez <em>back<\/em> vra\u0107a proces unazad i onemogu\u0107ava nastavak razvoja forme istim principom.<\/p>\n\n\n\n<p>Takodje, kod pokreta <strong>\u201efront\u201c <\/strong>je uo\u010den sli\u010dan problem. Dolazi opet do rotacije u ta\u010dki , \u0161to kod slobodne forme dovodi do naglog prekida i tu nastaje gre\u0161ka.<\/p>\n\n\n\n<p>Zbog toga je u okviru ove faze istra\u017eivanja uvedeno <strong>ograni\u010denje<\/strong> da se pravci <em>back i front<\/em> ne koriste kao opcija kretanja, \u010dime je obezbe\u0111ena \u010ditljivost procesa generisanja forme.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1.2 Formiranje povr\u0161ine<\/h3>\n\n\n\n<p>Nakon \u0161to se defini\u0161e niz krivih koje predstavljaju pravce kretanja, pristupa se formiranju povr\u0161ine koja ih povezuje. Povr\u0161ina se generi\u0161e kori\u0161\u0107enjem <strong>Loft komande<\/strong> u programu <em>Grasshopper<\/em>, kojom se vi\u0161e sukcesivno formiranih krivih spaja u jedinstvenu geometrijsku celinu.<\/p>\n\n\n\n<p>Na taj na\u010din se dobija <strong>kontinuirana povr\u0161ina<\/strong> koja vizuelno prati sekvencu poteza i istovremeno zadr\u017eava informaciju o njihovom prostornom toku. Povr\u0161ina postaje materijalizovani trag kretanja ta\u010dke kroz prostor \u2013 svojevrsna <strong>putanja<\/strong> koja prevodi algoritamski proces u trodimenzionalni, vizuelno \u010ditljiv oblik.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-092528.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"459\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-092528-1024x459.png\" alt=\"\" class=\"wp-image-23590\" style=\"width:526px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-092528-1024x459.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-092528-300x135.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-092528-768x344.png 768w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-092528-1536x689.png 1536w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-092528-2048x918.png 2048w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/Snimak-ekrana-2025-10-10-092528-1568x703.png 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-7 wp-block-group-is-layout-flex\">\n<details class=\"wp-block-details has-extra-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Fotografija 5: Formiranje povr\u0161ine pomo\u0107u komande <em>Loft<\/em><\/summary>\n<p class=\"has-extra-small-font-size\">Izvor: autorska fotografija<\/p>\n<\/details>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2. Deo &#8211; Smer rotacije<\/strong><\/h2>\n\n\n\n<p><strong>Smer rotacije<\/strong> prati formu i odre\u0111uje na\u010din na koji se ravan orijenti\u0161e u prostoru. Rotacija se defini\u0161e kroz dve osnovne mogu\u0107nosti:<br><strong>clockwise<\/strong> (<em>u smeru kazaljke na satu<\/em>) i <strong>counterclockwise<\/strong> (<em>suprotno od smera kazaljke na satu<\/em>).<\/p>\n\n\n\n<p>Svaka rotacija se odnosi na <strong>ravan definisanu u prethodnom potezu<\/strong>, pa se njen novi polo\u017eaj uvek ra\u010duna <strong>relativno u odnosu na prethodnu orijentaciju<\/strong>. Na taj na\u010din, svaka naredna rotacija uvodi dodatnu promenu u prostorni karakter forme, \u010dime se gradi slo\u017eenija struktura.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CW.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"568\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CW-1024x568.png\" alt=\"\" class=\"wp-image-23591\" style=\"width:395px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CW-1024x568.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CW-300x166.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CW-768x426.png 768w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CW-1536x852.png 1536w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CW-1568x870.png 1568w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CW.png 1876w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-center is-layout-flex wp-container-core-group-is-layout-8 wp-block-group-is-layout-flex\">\n<details class=\"wp-block-details has-extra-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Fotografija 6: Grafi\u010dki prikaz obja\u0161njenja CW (clockwise) smera<\/summary>\n<p class=\"has-extra-small-font-size\">Izvor: autorska fotografija<\/p>\n<\/details>\n<\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CCW.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"571\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CCW-1024x571.png\" alt=\"\" class=\"wp-image-23593\" style=\"width:395px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CCW-1024x571.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CCW-300x167.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CCW-768x428.png 768w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CCW-1536x856.png 1536w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CCW-1568x874.png 1568w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/CCW.png 1881w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-center is-layout-flex wp-container-core-group-is-layout-9 wp-block-group-is-layout-flex\">\n<details class=\"wp-block-details has-extra-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Fotografija 7: Grafi\u010dki prikaz obja\u0161njenja CCW (counterclockwise) smera<\/summary>\n<p class=\"has-extra-small-font-size\">Izvor: autorska fotografija<\/p>\n<\/details>\n<\/div>\n\n\n\n<p>Smer rotacije ima va\u017enu ulogu u odre\u0111ivanju <strong>dinamike i ritma kretanja<\/strong>, jer uti\u010de na to kako se formirane krive me\u0111usobno povezuju i grade prostornu mre\u017eu. Kombinovanjem rotacija u razli\u010ditim smerovima nastaje varijabilan i ritmi\u010dan sistem koji doprinosi raznolikosti i izra\u017eajnosti slobodne forme.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>3. Deo &#8211; Sistem boja<\/strong><\/h2>\n\n\n\n<p>Tre\u0107i deo istra\u017eivanja bavi se <strong>kolorizacijom<\/strong>, odnosno na\u010dinom na koji se boje koriste da vizuelno prate i potvr\u0111uju svaki potez u procesu formiranja slobodne forme.<br>Od svakog izvedenog poteza formira se <strong>povr\u0161ina podeljena na devet segmenata<\/strong>, pri \u010demu svaki segment predstavlja <strong>jednu boju<\/strong> koja se u datom trenutku nalazi ispred korisnika.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/podela.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"475\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/podela-1024x475.png\" alt=\"\" class=\"wp-image-23603\" style=\"width:526px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/podela-1024x475.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/podela-300x139.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/podela-768x357.png 768w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/podela-1536x713.png 1536w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/podela-2048x951.png 2048w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/podela-1568x728.png 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-center is-layout-flex wp-container-core-group-is-layout-10 wp-block-group-is-layout-flex\">\n<details class=\"wp-block-details has-extra-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Fotografija 8: Grafi\u010dki prikaz deljenja povr\u0161ine na 9 delova<\/summary>\n<p class=\"has-extra-small-font-size\">Izvor: autorska fotografija<\/p>\n<\/details>\n<\/div>\n\n\n\n<p>Klju\u010dno je da korisnik tokom procesa uvek dr\u017ei <strong>belu boju u centru<\/strong>, koja ostaje <strong>fiksna referentna ta\u010dka<\/strong> i <strong>ne sme da se rotira<\/strong>. Na taj na\u010din obezbe\u0111uje se stabilnost orijentacije i jasno\u0107a u pra\u0107enju poteza.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/boje-1.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"483\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/boje-1-1024x483.png\" alt=\"\" class=\"wp-image-23602\" style=\"width:526px;height:auto\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/boje-1-1024x483.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/boje-1-300x142.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/boje-1-768x362.png 768w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/boje-1-1536x725.png 1536w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/boje-1-2048x967.png 2048w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2025\/09\/boje-1-1568x740.png 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-center is-layout-flex wp-container-core-group-is-layout-11 wp-block-group-is-layout-flex\">\n<details class=\"wp-block-details has-extra-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary>Fotografija 10: Grafi\u010dki prikaz deljenja povr\u0161ine na 9 delova<\/summary>\n<p class=\"has-extra-small-font-size\">Izvor: autorska fotografija<\/p>\n<\/details>\n<\/div>\n\n\n\n<p>Ovaj princip omogu\u0107ava da korisnik tokom svakog novog poteza <strong>vizuelno proveri ta\u010dnost prethodnog<\/strong>, jer se nakon svakog pokreta boje menjaju upravo onim redosledom koji odgovara slede\u0107em potezu u formiranju slobodne forme.<br>Na taj na\u010din kolorizacija ne slu\u017ei samo estetskoj diferencijaciji, ve\u0107 postaje <strong>alat za proveru ispravnosti i kontinuiteta procesa<\/strong>, doprinose\u0107i jasno\u0107i i \u010ditljivosti formiranja zavr\u0161ne kompozicije.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Zaklju\u010dak faze II<\/h2>\n\n\n\n<p>Metoda istra\u017eivanja definisana u ovoj fazi omogu\u0107ila je uspostavljanje <strong>jasnog sistema<\/strong> prevo\u0111enja algoritma Rubikove kocke u prostorne, geometrijske forme. Kroz prou\u010davanje pravaca kretanja, smera rotacije i sistema boja, postavljen je<strong> temelj za razumevanje <\/strong>kako se sekvenca poteza mo\u017ee vizuelno i prostorno artikulisati.<\/p>\n\n\n\n<p>U narednoj, <strong>fazi<\/strong> <strong>III<\/strong>, ovaj metod bi\u0107e primenjen na <strong>du\u017ee i slo\u017eenije algoritme<\/strong>, kako bi se ispitalo da li tako formirana struktura ostaje \u010ditljiva i razumljiva drugim korisnicima. Cilj je da se utvrdi da li vizuelni sistem zaista funkcioni\u0161e kao \u201ejezik poteza\u201c \u2013 to jest da li posmatra\u010d, na osnovu forme, mo\u017ee prepoznati i rekonstruisati tok algoritma.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Metoda istra\u017eivanja podeljena je u tri dela koja obja\u0161njavaju proces nastanka i formiranja slobodne forme. 1. Deo &#8211; Pravac kretanja Osnovnih pravaci kretanja koji \u010dine polaznu ta\u010dku u procesu su &#8211; up, down, left, right, front i back, to jest gore, dole, levo, desno, napred i nazad. Pravci kretanja posmatraju se kao osnovni gradivni elementi&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/vizuelni-jezik-rubikove-kocke-faza-ii\/\">Continue reading <span class=\"screen-reader-text\">Rubikova kocka &#8211; \u201eVizuelni trag pokreta\u201c &#8211; Faza II<\/span><\/a><\/p>\n","protected":false},"author":672,"featured_media":23994,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[656],"tags":[],"coauthors":[669],"class_list":["post-22254","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-24-25-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/22254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/672"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=22254"}],"version-history":[{"count":20,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/22254\/revisions"}],"predecessor-version":[{"id":23973,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/22254\/revisions\/23973"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media\/23994"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=22254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=22254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=22254"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=22254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}