{"id":19589,"date":"2024-03-30T14:15:22","date_gmt":"2024-03-30T13:15:22","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=19589"},"modified":"2024-03-30T14:15:22","modified_gmt":"2024-03-30T13:15:22","slug":"uporedna-analiza-parametara-kamere-u-stvarnosti-i-fizicke-kamere-physical-camera-u-3ds-max-u","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/uporedna-analiza-parametara-kamere-u-stvarnosti-i-fizicke-kamere-physical-camera-u-3ds-max-u\/","title":{"rendered":"Uporedna analiza parametara kamere u stvarnosti i fizi\u010dke kamere ( Physical camera ) u 3Ds Max-u"},"content":{"rendered":"<p><strong>OBLAST<\/strong>&#8211; Arhitektonska vizualizacija i fotografija<\/p>\n<p><strong>TEMA<\/strong>&#8211; Poklapanje parametara stvarne i virtuelne kamere<\/p>\n<p><strong>PREDMET<\/strong>&#8211; Upore\u0111ivanje fotorealnog rendera i fotografije makete<\/p>\n<p><strong>STANJE U\u00a0OBLASTI<\/strong>&#8211; Mater rad, Miroslava Milutinovi\u0107,\u00a0<em>UPOREDNA ANALIZA PARAMETARA VE\u0160TA\u010cKOG SVETLA I KAMERE NA FOTOGRAFIJI I RENDERU ENTERIJERA<\/em>, FTN, Novi Sad, 2019.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19611\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/2-300x200.jpg\" alt=\"2\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/2-300x200.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/2.jpg 919w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Render scene sa sijalicom sa zadatom ja\u010dinom svetlosti 560 lm, temperature boje 4000 K<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-19610\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/1-300x199.jpg\" alt=\"1\" width=\"306\" height=\"203\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/1-300x199.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/1-1024x681.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/1.jpg 1323w\" sizes=\"auto, (max-width: 306px) 100vw, 306px\" \/><\/strong><\/p>\n<p>Fotografija scene sa sijalicom ja\u010dine 560 lm\/ 7 W, temperature boje 4000 K<\/p>\n<p><strong>*Zaklju\u010dak<\/strong>: Na ovom studiu slu\u010daja, uo\u010deno je da identi\u010dno pode\u0161avanje kamere i osvetljenja u stvarnosti i programu ne\u0107e dovesti do \u017eeljenog rezultata.<\/p>\n<p>https:\/\/forums.cgarchitect.com\/topic\/73540-real-camera-simulation-using-vrayphysicalcamera\/ , pristupljeno 30.3.2024.<\/p>\n<p><strong>PROBLEM<\/strong>&#8211;\u00a0 Nepoklapanje rendera i fotografija u odnosu na parametre kamere. Da li ce biti potrebno dodatno podesavati parametre u programu, kako bi dobijen rezultat bio potpuno fotorealistican?<\/p>\n<p><strong>CILJ<\/strong>&#8211; Prona\u0107i na\u010din i tehniku da su parametri\u00a0 pode\u0161eni tako da renderom bude postignut fotorealizam.<\/p>\n<p><strong>KRITERIJUM<\/strong>&#8211; Podesiti parametre kamere i svetla, raditi na teksturama, bojama i o\u0161te\u0107enjima digitalne makete tako da\u00a0scena\u00a0bude fotorealisti\u010dnija.<\/p>\n<p><strong>PRIMENJENI ALATI I METODE<\/strong>&#8211; Tri close up scene makete fotografisati pod odre\u0111enim osvetljenjem i izraditi digitalnu repliku makete sa teksturama, o\u0161te\u0107enjima&#8230; Prona\u0107i iste kadrove ( scene ) u programu i podesiti kameru i osvetljenje prema istim parametrima iz stvarnosti. Ukoliko je potrtebno, dodatno podesiti parametre, tako da se postigne \u0161to realisti\u010dniji render. Finalne proizvode izlo\u017eiti u anketi, uraditi analizu i grafikone uspe\u0161nosti predmeta na osnovu reakcija ljudi.<\/p>\n<p><strong>HIPOTEZA<\/strong>&#8211; Moguce je posti\u0107i fotorealistican detalj ( close up ) makete, tako da ispitanici ne mogu da razaznaju sta je prava fotografija.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/625-01749092en_Masterfile.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19590\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/625-01749092en_Masterfile-201x300.jpg\" alt=\"625-01749092\" width=\"201\" height=\"300\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/625-01749092en_Masterfile-201x300.jpg 201w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/625-01749092en_Masterfile.jpg 302w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/a> <a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/e.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19591\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/e-200x300.jpg\" alt=\"An architectural model detail\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/e-200x300.jpg 200w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2024\/03\/e.jpg 408w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>OBLAST&#8211; Arhitektonska vizualizacija i fotografija TEMA&#8211; Poklapanje parametara stvarne i virtuelne kamere PREDMET&#8211; Upore\u0111ivanje fotorealnog rendera i fotografije makete STANJE U\u00a0OBLASTI&#8211; Mater rad, Miroslava Milutinovi\u0107,\u00a0UPOREDNA ANALIZA PARAMETARA VE\u0160TA\u010cKOG SVETLA I KAMERE NA FOTOGRAFIJI I RENDERU ENTERIJERA, FTN, Novi Sad, 2019. Render scene sa sijalicom sa zadatom ja\u010dinom svetlosti 560 lm, temperature boje 4000 K Fotografija&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/uporedna-analiza-parametara-kamere-u-stvarnosti-i-fizicke-kamere-physical-camera-u-3ds-max-u\/\">Continue reading <span class=\"screen-reader-text\">Uporedna analiza parametara kamere u stvarnosti i fizi\u010dke kamere ( Physical camera ) u 3Ds Max-u<\/span><\/a><\/p>\n","protected":false},"author":586,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[608],"tags":[],"coauthors":[579],"class_list":["post-19589","post","type-post","status-publish","format-standard","hentry","category-2324-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/19589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/586"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=19589"}],"version-history":[{"count":3,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/19589\/revisions"}],"predecessor-version":[{"id":19626,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/19589\/revisions\/19626"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=19589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=19589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=19589"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=19589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}