{"id":15916,"date":"2022-04-15T19:56:55","date_gmt":"2022-04-15T18:56:55","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=15916"},"modified":"2022-07-10T17:36:37","modified_gmt":"2022-07-10T16:36:37","slug":"anamorfoza-6","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/anamorfoza-6\/","title":{"rendered":"Anamorfoza &#8211; Faza l"},"content":{"rendered":"<p><strong><em>Oblast istrazivanja<\/em> &#8211; <\/strong>Modelovanje i vizualizacija anamorfne skulpture.<\/p>\n<p><strong><em>Tema istrazivanja<\/em> &#8211;\u00a0<\/strong>Modelovanje prostorne strukture kubusima .<\/p>\n<p><span style=\"color: #000000\"><b><em>Stanje u oblasti<\/em> &#8211;\u00a0<\/b><\/span><\/p>\n<p>Primjeri:<\/p>\n<figure id=\"attachment_16816\" aria-describedby=\"caption-attachment-16816\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/mandela_cianfanelli_01.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-16816 size-medium\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/mandela_cianfanelli_01-300x233.jpeg\" alt=\"mandela_cianfanelli_01\" width=\"300\" height=\"233\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/mandela_cianfanelli_01-300x233.jpeg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/mandela_cianfanelli_01.jpeg 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-16816\" class=\"wp-caption-text\">Nelson Mandela, anamorfna skulptura od 50 \u0161ipki<\/figcaption><\/figure>\n<figure id=\"attachment_16817\" aria-describedby=\"caption-attachment-16817\" style=\"width: 201px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/marylin-scupture-project-4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-16817 size-medium\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/marylin-scupture-project-4-201x300.jpg\" alt=\"marylin scupture project (4)\" width=\"201\" height=\"300\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/marylin-scupture-project-4-201x300.jpg 201w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/marylin-scupture-project-4-688x1024.jpg 688w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/marylin-scupture-project-4.jpg 1076w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/a><figcaption id=\"caption-attachment-16817\" class=\"wp-caption-text\">Marylin Monroe, anamorfna skulptura, \u0161ipke su postavljene u kru\u017enu osnovu<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_16818\" aria-describedby=\"caption-attachment-16818\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/emulsifier-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-16818 size-medium\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/emulsifier-3-300x200.jpg\" alt=\"emulsifier-3\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/emulsifier-3-300x200.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/emulsifier-3-1024x682.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2022\/04\/emulsifier-3.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-16818\" class=\"wp-caption-text\">Anamorfna skulptura Tomasa Medikus, rotiraju\u0107e staklo sa crte\u017eima na \u010detiri strane<\/figcaption><\/figure>\n<p>Linkovi:<\/p>\n<p>&#8211;\u00a0 http:\/\/imagecar.blogspot.com\/<\/p>\n<p>&#8211;\u00a0https:\/\/www.collater.al\/en\/anamorphic-sculptures-michael-murphy\/<\/p>\n<p>&#8211;\u00a0https:\/\/www.thisiscolossal.com\/2014\/10\/anamorphic-glass-sculpture-thomas-medicus\/<\/p>\n<p><strong><em>Problemi<\/em> &#8211;\u00a0<\/strong>Pove\u0107anjem broja elemenata, dolazi do preklapanja fotografija\/portreta.<\/p>\n<p><span style=\"color: #000000\"><b><em>Cilj<\/em> &#8211;\u00a0<\/b>Modelovanje instalacije koja omogu\u0107ava dvostruku anamorfozu.<\/span><\/p>\n<p><strong><em>Hipoteza<\/em> &#8211;\u00a0<\/strong>Primena ve\u0107eg broja elemenata dobija se jasnija slika\/skulptura.<\/p>\n<p><strong><em>Kriterijumi<\/em> &#8211;\u00a0<\/strong>Sklad skulptura, uz upotrebu ve\u0107eg broja elemenata.<\/p>\n<p><strong><em>Metode<\/em> &#8211; <\/strong>Primena parametarskog pristupa.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oblast istrazivanja &#8211; Modelovanje i vizualizacija anamorfne skulpture. Tema istrazivanja &#8211;\u00a0Modelovanje prostorne strukture kubusima . Stanje u oblasti &#8211;\u00a0 Primjeri: &nbsp; Linkovi: &#8211;\u00a0 http:\/\/imagecar.blogspot.com\/ &#8211;\u00a0https:\/\/www.collater.al\/en\/anamorphic-sculptures-michael-murphy\/ &#8211;\u00a0https:\/\/www.thisiscolossal.com\/2014\/10\/anamorphic-glass-sculpture-thomas-medicus\/ Problemi &#8211;\u00a0Pove\u0107anjem broja elemenata, dolazi do preklapanja fotografija\/portreta. Cilj &#8211;\u00a0Modelovanje instalacije koja omogu\u0107ava dvostruku anamorfozu. Hipoteza &#8211;\u00a0Primena ve\u0107eg broja elemenata dobija se jasnija slika\/skulptura. Kriterijumi &#8211;\u00a0Sklad skulptura, uz upotrebu&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/anamorfoza-6\/\">Continue reading <span class=\"screen-reader-text\">Anamorfoza &#8211; Faza l<\/span><\/a><\/p>\n","protected":false},"author":542,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[485],"tags":[],"coauthors":[527],"class_list":["post-15916","post","type-post","status-publish","format-standard","hentry","category-2122-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/15916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/542"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=15916"}],"version-history":[{"count":3,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/15916\/revisions"}],"predecessor-version":[{"id":16819,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/15916\/revisions\/16819"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=15916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=15916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=15916"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=15916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}