{"id":14222,"date":"2021-04-27T00:34:27","date_gmt":"2021-04-26T23:34:27","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=14222"},"modified":"2021-04-27T00:35:00","modified_gmt":"2021-04-26T23:35:00","slug":"primena-jedne-vrste-geometrijskog-tela-za-postizanje-prostorne-anamorfoze-iii","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-jedne-vrste-geometrijskog-tela-za-postizanje-prostorne-anamorfoze-iii\/","title":{"rendered":"Primena jedne vrste geometrijskog tela za postizanje prostorne anamorfoze III"},"content":{"rendered":"<p><em>Rezultati rada u Grasshopperu i 3Dmaxu:<\/em><\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/3333.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-14225 \" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/3333.jpg\" alt=\"3333\" width=\"344\" height=\"194\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/3333.jpg 1920w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/3333-300x168.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/3333-1024x576.jpg 1024w\" sizes=\"auto, (max-width: 344px) 100vw, 344px\" \/><\/a>\u00a0 <a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/101010crop2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-14226 \" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/101010crop2.jpg\" alt=\"101010crop2\" width=\"282\" height=\"194\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/101010crop2.jpg 1571w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/101010crop2-300x206.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/101010crop2-1024x703.jpg 1024w\" sizes=\"auto, (max-width: 282px) 100vw, 282px\" \/><\/a><\/p>\n<p>Zavr\u0161na faza rada i dobijeni rezultati potvr\u0111uju efikasnost ove metode modelovanja u pogledu utro\u0161enog vremena i postignutog kvaliteta. Varijacije za bolja re\u0161enja mogu postojati prilikom formiranja koda, a one svakako zavise od programske logike autora.<\/p>\n<p>Estetski kriterijum u ovom radu nije bio bitan jer sve vrste anamorfoze kod posmatra\u010da izazivaju znati\u017eelju, a potom i uzbu\u0111enje kada ugledaju efekat iluzije koju ova vrsta obmanjuju\u0107ih dela u bilo kojoj\u00a0 tehnici mo\u017ee da izazove. Kod instalacija umetnika Michael Murphya ono \u0161to je prepoznato kao kvalitet jeste i poruka koju njegovi radovi sadr\u017ee, odnosno sve ono \u0161to posmatra\u010de njegovih instalacija (pored spolja\u0161njeg, vizuelnog do\u017eivljaja koji izazivaju odu\u0161evljenje) natera na razmi\u0161ljanje o nekoj \u017eivotnoj ili aktuelnoj temi, a zaklju\u010dci koje oni donesu su svojstveni svakom individualnom posmatra\u010du. Ono \u0161to bi u ovom radu moglo da pobudi gledaoca na razmi\u0161ljanje dok obilazi strukturu i gubi portret iz vidika jeste prolaznost \u017eivota o kojoj je poznati kantautor \u010desto pevao.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rezultati rada u Grasshopperu i 3Dmaxu: \u00a0 Zavr\u0161na faza rada i dobijeni rezultati potvr\u0111uju efikasnost ove metode modelovanja u pogledu utro\u0161enog vremena i postignutog kvaliteta. Varijacije za bolja re\u0161enja mogu postojati prilikom formiranja koda, a one svakako zavise od programske logike autora. Estetski kriterijum u ovom radu nije bio bitan jer sve vrste anamorfoze kod&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-jedne-vrste-geometrijskog-tela-za-postizanje-prostorne-anamorfoze-iii\/\">Continue reading <span class=\"screen-reader-text\">Primena jedne vrste geometrijskog tela za postizanje prostorne anamorfoze III<\/span><\/a><\/p>\n","protected":false},"author":464,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[453],"tags":[],"coauthors":[454],"class_list":["post-14222","post","type-post","status-publish","format-standard","hentry","category-2021-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/14222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/464"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=14222"}],"version-history":[{"count":2,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/14222\/revisions"}],"predecessor-version":[{"id":14228,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/14222\/revisions\/14228"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=14222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=14222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=14222"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=14222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}