{"id":14012,"date":"2021-04-26T20:11:06","date_gmt":"2021-04-26T19:11:06","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=14012"},"modified":"2021-04-26T20:52:26","modified_gmt":"2021-04-26T19:52:26","slug":"modelovanje-oldtimer-automobila-na-primjeru-mustang-shelby-gt-500-1967-faza-ii","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/modelovanje-oldtimer-automobila-na-primjeru-mustang-shelby-gt-500-1967-faza-ii\/","title":{"rendered":"Modelovanje oldtimer automobila na primjeru (Mustang Shelby GT 500 1967)-Faza II"},"content":{"rendered":"<p><strong>Druga faza<\/strong> rada podrazumijeva modelovanje u programu <em>3ds Max<\/em>.<\/p>\n<p>-Da bi se\u00a0\u0161to preciznije\u00a0izmodelovao <em>low poly<\/em> model potrebno je bilo prona\u0107i i importovati referentne slike, te ih \u0161to preciznije postaviti u odgovaraju\u0107e poglede.<\/p>\n<p>-Modeluje se na principu da \u0107e se pomo\u0107u\u00a0 refernentnih slika iscrtavati elementi iz 2 ili vi\u0161e pogleda.<\/p>\n<p><strong><em>Create-Plane-Editable poly<\/em><\/strong><\/p>\n<figure id=\"attachment_14087\" aria-describedby=\"caption-attachment-14087\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Untitled1.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-14087 size-medium\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Untitled1-300x180.png\" alt=\"Untitled\" width=\"300\" height=\"180\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Untitled1-300x180.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Untitled1.png 934w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-14087\" class=\"wp-caption-text\">Nedefinisani dijelovi referentnih slika<\/figcaption><\/figure>\n<p>-Pomo\u0107u pozicioniranja vertex-a polako se dolazi do \u017eeljene forme<br \/>\n-Problemi se javljaju na spojevima koji nisu jasno definisani referentnim slikama zbog starosti modela te male preciznosti referentnih slika.<\/p>\n<figure id=\"attachment_14091\" aria-describedby=\"caption-attachment-14091\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Untitled2.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-14091 size-medium\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Untitled2-300x152.png\" alt=\"Untitled\" width=\"300\" height=\"152\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Untitled2-300x152.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Untitled2.png 881w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-14091\" class=\"wp-caption-text\">Pod modela<\/figcaption><\/figure>\n<p>-Tokom modelovanja svaki element je modelovan zasebno,\u00a0te je kasnije sastavljen sa <em>Target weld<\/em> komandom.<br \/>\n-Da bi se izbjegle mogu\u0107e nepreciznosti model je ponovo modelovan iz manje ve\u0107ih cjelina, te se lak\u0161e dobijao \u017eeljeni oblik.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Druga faza rada podrazumijeva modelovanje u programu 3ds Max. -Da bi se\u00a0\u0161to preciznije\u00a0izmodelovao low poly model potrebno je bilo prona\u0107i i importovati referentne slike, te ih \u0161to preciznije postaviti u odgovaraju\u0107e poglede. -Modeluje se na principu da \u0107e se pomo\u0107u\u00a0 refernentnih slika iscrtavati elementi iz 2 ili vi\u0161e pogleda. Create-Plane-Editable poly -Pomo\u0107u pozicioniranja vertex-a polako&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/modelovanje-oldtimer-automobila-na-primjeru-mustang-shelby-gt-500-1967-faza-ii\/\">Continue reading <span class=\"screen-reader-text\">Modelovanje oldtimer automobila na primjeru (Mustang Shelby GT 500 1967)-Faza II<\/span><\/a><\/p>\n","protected":false},"author":476,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[453],"tags":[],"coauthors":[467],"class_list":["post-14012","post","type-post","status-publish","format-standard","hentry","category-2021-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/14012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/476"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=14012"}],"version-history":[{"count":2,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/14012\/revisions"}],"predecessor-version":[{"id":14100,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/14012\/revisions\/14100"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=14012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=14012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=14012"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=14012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}