{"id":13366,"date":"2021-04-13T17:53:41","date_gmt":"2021-04-13T16:53:41","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=13366"},"modified":"2021-04-26T08:16:22","modified_gmt":"2021-04-26T07:16:22","slug":"kineticke-fasade-primena-tradicionalnih-motiva-i-kontrola-osvetljenosti-unutrasnjosti-objekta-faza-ii","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/kineticke-fasade-primena-tradicionalnih-motiva-i-kontrola-osvetljenosti-unutrasnjosti-objekta-faza-ii\/","title":{"rendered":"Kineti\u010dke fasade-Analiza osun\u010danosti FAZA II"},"content":{"rendered":"<p><span style=\"color: #000000\"><b>Druga faza\u00a0<\/b>podrazumeva rad u Rhinocerosu I Grasshopperu.<\/span><\/p>\n<p><strong>Prvi korak:<\/strong> Kao osnovu uzeli smo pravougaonik zaobljenih ivica.Pravougaonik smo podigli na odredjenu visinu I offsetovali ivice koje bi predstavljale broj \u0161ina odnosno broj slojeva fasade.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/GEOMETRIJAJEDAN.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13697\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/GEOMETRIJAJEDAN-300x124.jpg\" alt=\"GEOMETRIJAJEDAN\" width=\"300\" height=\"124\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/GEOMETRIJAJEDAN-300x124.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/GEOMETRIJAJEDAN-1024x423.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/GEOMETRIJAJEDAN.jpg 1295w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Drugi korak:<\/strong>Pomo\u0107u opcije \u201dDivide Curve\u201d I \u201cLength\u201d + \u201cDivision\u201d podelili smo \u0161ine na odredjeni broj ta\u010daka na zadatom razmaku.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/razmak-izmedju-sipki.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13698\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/razmak-izmedju-sipki-300x122.jpg\" alt=\"razmak izmedju sipki\" width=\"300\" height=\"122\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/razmak-izmedju-sipki-300x122.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/razmak-izmedju-sipki-1024x419.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/razmak-izmedju-sipki.jpg 1398w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Tre\u0107i korak:<\/strong>Putem \u201cGraph Mapper-a\u201d (Bezier) defin\u0161iemo krivu koju \u010dine vertikalne linije na fasadi.Dalje putem \u201cDomain-a\u201d defini\u0161emo minimalne I maksimalne visine ta\u010daka krive.Da bi postojao kontinuitet krive na fasadi alatkom \u201cMerge\u201d spojili smo vrednosti od po\u010detka do kraja krive + od kraja do po\u010detka krive.Jo\u0161 moramo da definisemo po\u010detke krivih da se one ne bi preklapale ukoliko imamo 2 ili 3 \u0161ine.To smo uradili pomo\u0107u alatke \u201cSeam\u201d I tri \u201cSlider-a\u201d-po jedan za svaku \u0161inu.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13699\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika3-300x152.jpg\" alt=\"slika3\" width=\"300\" height=\"152\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika3-300x152.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika3-1024x521.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika3.jpg 1913w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Od dodataka za Grasshopper koristimo <strong>Mesh Pipe<\/strong> kao geometriju koja blokira sun\u010devu svetlost.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13700\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika-3-300x154.jpg\" alt=\"slika 3\" width=\"300\" height=\"154\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika-3-300x154.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika-3.jpg 670w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>\u010cetvrti korak:<\/strong>Potrebno je napraviti plo\u010de do kojih \u0107e osvetljenje da dolazi.Pomo\u0107u alatke \u201cRange\u201d napravili smo spratove.Dalje,iskoristili smo \u201cCull index\u201d da bi odstranili poslednji sprat (prvi od nazad) iz prora\u010duna osvetljenosti.Na plo\u010dama smo razvili mrezu ta\u010daka opcijom \u201cDivide Surfaces\u201d I \u201cQuads Panels\u201d da bi imali jasno odvojene neosvetljene I osvetljene delove.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika-4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13701\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika-4-300x114.jpg\" alt=\"slika 4\" width=\"300\" height=\"114\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika-4-300x114.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika-4-1024x391.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika-4.jpg 1737w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Peti korak:<\/strong>Dolazimo do pravljenja same Analize Osvetljenosti:\u201dExposure\u201d<\/p>\n<p>Pomo\u0107u \u201cOcclusion-a\u201d dobijamo informaciju koliko zrakova je zaklonjeno.Koristimo \u201cGradient\u201d za vizuelni prikaz.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13702\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5-1-300x150.jpg\" alt=\"slika5 1\" width=\"300\" height=\"150\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5-1-300x150.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5-1-1024x512.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5-1.jpg 1480w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Putanja Sunca je predstavljena lukom koji je podeljen na vi\u0161e tacaka (Sunce) sa mogu\u0107no\u0161\u0107u da menjamo nagib samog luka (razlicito doba godine) i du\u017einu luka ukoliko \u017eelimo da istra\u017eujemo samo jedan deo dana.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13703\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5-3-300x108.jpg\" alt=\"slika5 - 3\" width=\"300\" height=\"108\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5-3-300x108.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5-3-1024x371.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5-3.jpg 1886w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13704\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5-300x253.jpg\" alt=\"slika5\" width=\"300\" height=\"253\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5-300x253.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/slika5.jpg 827w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Boje:<\/strong>Crvena- Stalna izlo\u017eenost Sun\u010devoj svetlosti,<\/p>\n<p>Zuta-Povremena izlo\u017eenost Sun\u010devoj svetlosti,<\/p>\n<p>Zelena-Delovi stalno zaklonjeni od Sun\u010deve svetlosti .<\/p>\n<p><strong>Zaklju\u010dak:<\/strong>Dobili smo model na zadovoljavajucem nivou ,pogodan za dalje istra\u017eivanje.U sledecoj fazi bi se sprovele analize osvetljenosti\u00a0 unutra\u0161njosti objekta u odnosu na razli\u010dito doba dana i godine.<\/p>\n<p>Parametri fasade na koje\u00a0\u0107e se uticati su slede\u0107i:<\/p>\n<p>1.Broj\u00a0\u0161ina<\/p>\n<p>2.Oblik krive koju formiraju vertikalni elementi<\/p>\n<p>3.Pomeranje fasade (Menjanje po\u010detne tacke krivih)<\/p>\n<p>4.Razmak izmedju vertikalnih elemenata<\/p>\n<p>5.Pre\u010dnik vertikalnih elemenata<\/p>\n<p>Parametar unutra\u0161njosti objekta na koji uti\u010demo jeste broj spratova-od 1 do 4 sprata.Time\u00a0\u0107emo se osvrnuti i na to koja spratna visina je pogodna za dobru osun\u010danost.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Druga faza\u00a0podrazumeva rad u Rhinocerosu I Grasshopperu. Prvi korak: Kao osnovu uzeli smo pravougaonik zaobljenih ivica.Pravougaonik smo podigli na odredjenu visinu I offsetovali ivice koje bi predstavljale broj \u0161ina odnosno broj slojeva fasade. Drugi korak:Pomo\u0107u opcije \u201dDivide Curve\u201d I \u201cLength\u201d + \u201cDivision\u201d podelili smo \u0161ine na odredjeni broj ta\u010daka na zadatom razmaku. Tre\u0107i korak:Putem \u201cGraph&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/kineticke-fasade-primena-tradicionalnih-motiva-i-kontrola-osvetljenosti-unutrasnjosti-objekta-faza-ii\/\">Continue reading <span class=\"screen-reader-text\">Kineti\u010dke fasade-Analiza osun\u010danosti FAZA II<\/span><\/a><\/p>\n","protected":false},"author":448,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[453],"tags":[],"coauthors":[448],"class_list":["post-13366","post","type-post","status-publish","format-standard","hentry","category-2021-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/13366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/448"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=13366"}],"version-history":[{"count":11,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/13366\/revisions"}],"predecessor-version":[{"id":13944,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/13366\/revisions\/13944"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=13366"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=13366"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=13366"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=13366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}