{"id":13302,"date":"2021-04-13T17:48:06","date_gmt":"2021-04-13T16:48:06","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=13302"},"modified":"2021-04-13T17:59:02","modified_gmt":"2021-04-13T16:59:02","slug":"infinity-mirror-effect","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/infinity-mirror-effect\/","title":{"rendered":"Infinity mirror effect"},"content":{"rendered":"<p><strong>Oblast:<\/strong> Reprodukcija umjetni\u010dkog djela kroz modelovanje slo\u017eene geometrijske forme koriste\u0107i Fibona\u010dijev niz<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Tema:<\/strong>\u00a0Vizualizovanje numere &#8220;Lateralus&#8221; benda Tool, koja je pisana po principu Fibona\u010dijevog niza kroz 3D model i primjena efekta &#8220;infinity mirror&#8221; kako bi se kreirao autenti\u010dan prostorni prikaz beskona\u010dnosti, \u0161to je i jedna od glavnih tema pjesme.<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Primjeri:<\/strong><\/p>\n<figure id=\"attachment_13306\" aria-describedby=\"caption-attachment-13306\" style=\"width: 561px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/10000-days.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13306 \" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/10000-days-300x187.jpg\" alt=\"1. Cover art albuma &quot;10000 days&quot; benda Tool. Glavna inspiracija \" width=\"561\" height=\"350\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/10000-days-300x187.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/10000-days-1024x640.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/10000-days.jpg 1440w\" sizes=\"auto, (max-width: 561px) 100vw, 561px\" \/><\/a><figcaption id=\"caption-attachment-13306\" class=\"wp-caption-text\">1. Cover art albuma &#8220;10000 days&#8221; benda Tool. Glavna inspiracija<\/figcaption><\/figure>\n<figure id=\"attachment_13387\" aria-describedby=\"caption-attachment-13387\" style=\"width: 551px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/7aebc851722403.58f7b8abe4d76.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13387 \" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/7aebc851722403.58f7b8abe4d76-300x172.jpg\" alt=\"Obja\u0161njenje kako je Fibona\u010dijev niz primjenjen u pjesmi &quot;Lateralus&quot;\" width=\"551\" height=\"316\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/7aebc851722403.58f7b8abe4d76-300x172.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/7aebc851722403.58f7b8abe4d76-1024x588.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/7aebc851722403.58f7b8abe4d76.jpg 1400w\" sizes=\"auto, (max-width: 551px) 100vw, 551px\" \/><\/a><figcaption id=\"caption-attachment-13387\" class=\"wp-caption-text\">2. Obja\u0161njenje kako je Fibona\u010dijev niz primjenjen u pjesmi &#8220;Lateralus&#8221;<\/figcaption><\/figure>\n<div style=\"width: 750px;\" class=\"wp-video\"><!--[if lt IE 9]><script>document.createElement('video');<\/script><![endif]-->\n<video class=\"wp-video-shortcode\" id=\"video-13302-1\" width=\"750\" height=\"422\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Inception-Mirrors.mp4?_=1\" \/><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Inception-Mirrors.mp4\">https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Inception-Mirrors.mp4<\/a><\/video><\/div>\n<p>Scena iz filma &#8220;Inception&#8221;; primjer stvaranja efekta beskona\u010dnog ogledala<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Problemi:<br \/>\n<\/strong>Implementiranje Fibona\u010dijevog niza u proces modelovanja.<br \/>\nUskla\u0111ivanje modela tako da kada se primjeni efekat beskona\u010dnog ogledala dobije kontinualan prostor bez prekida.<br \/>\nOdrediti najbolji pristup za primjenu efekta beskona\u010dnog ogledala.<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Cilj:<\/strong>\u00a0Izmodelovati slo\u017eenu geometrijsku strukturu koriste\u0107i Fibona\u010dijev niz i na\u0107i najefikasniji i najoptimalniji na\u010din za kreiranje raznih vizelnih iluzija\u00a0 uz maksimalnu mogu\u0107nost manipulacije\u00a0sa samom strukturom.<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Kriterijumi:<\/strong><br \/>\nUtro\u0161eno vrijeme<br \/>\nKvalitet finalnog produkta<br \/>\nMogu\u0107nost manipulacije kreirane iluzije<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Metode:<\/strong><br \/>\n-detaljno upoznavanje sa konceptom Fibona\u010dijevog niza<br \/>\n-pronala\u017eenje primjera primjene Fibona\u010dijevog niza u arhitekturi<br \/>\n-detaljno upoznavanje sa Infinity Mirror konceptom<br \/>\n-osmi\u0161ljavanje geometrijske srukture<br \/>\n-odabir programa koji ima potencijal da pru\u017ei najkvalitetnije rezultate<br \/>\n-modelovanje<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Reference:<\/strong><br \/>\nSlika br.1\u00a0 https:\/\/www.alexgrey.com\/art\/paintings\/soul\/alex_grey_net_of_being<br \/>\nSlika br.2\u00a0 https:\/\/www.behance.net\/gallery\/51722403\/LATERALUS-A-design-study<br \/>\nVideo\u00a0 https:\/\/www.youtube.com\/watch?v=q3tBBhYJeAw&amp;ab_channel=WeiChizzle<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oblast: Reprodukcija umjetni\u010dkog djela kroz modelovanje slo\u017eene geometrijske forme koriste\u0107i Fibona\u010dijev niz &nbsp; Tema:\u00a0Vizualizovanje numere &#8220;Lateralus&#8221; benda Tool, koja je pisana po principu Fibona\u010dijevog niza kroz 3D model i primjena efekta &#8220;infinity mirror&#8221; kako bi se kreirao autenti\u010dan prostorni prikaz beskona\u010dnosti, \u0161to je i jedna od glavnih tema pjesme. &nbsp; Primjeri: Scena iz filma &#8220;Inception&#8221;;&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/infinity-mirror-effect\/\">Continue reading <span class=\"screen-reader-text\">Infinity mirror effect<\/span><\/a><\/p>\n","protected":false},"author":481,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[453],"tags":[],"coauthors":[468],"class_list":["post-13302","post","type-post","status-publish","format-standard","hentry","category-2021-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/13302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/481"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=13302"}],"version-history":[{"count":6,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/13302\/revisions"}],"predecessor-version":[{"id":13401,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/13302\/revisions\/13401"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=13302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=13302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=13302"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=13302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}