{"id":13207,"date":"2021-04-10T14:27:11","date_gmt":"2021-04-10T13:27:11","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=13207"},"modified":"2021-04-27T09:05:50","modified_gmt":"2021-04-27T08:05:50","slug":"fizicki-izraz-ideje-modernistickih-spomenika-pristupi-modelovanju","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/fizicki-izraz-ideje-modernistickih-spomenika-pristupi-modelovanju\/","title":{"rendered":"Fizi\u010dki izraz ideje modernisti\u010dkih spomenika- pristupi modelovanju (FAZA II)"},"content":{"rendered":"<p><strong>Opis: <\/strong>Istra\u017eivanjem potencijalnih na\u010dina za dobijanje formi spomenika, odabrani spomenici u prvoj fazi rada su klasifikovani u kategorije. Razumevanjem osnovne ideje spomenika, analiziraju se mogu\u0107i postupci dobijanja forme po kategorijama spomenika.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Karakteristi\u010dne forme:<\/strong><\/p>\n<p><strong>1)\u00a0 Forme\u00a0rotirane\u00a0oko centralne ose<\/strong><\/p>\n<p><em>Podrazumevaju najjednostavniji pristup formiranja forme od ideje, gde se forma spomenika zasniva na centralnoj osi oko koje se rotiraju profili.<\/em><\/p>\n<figure id=\"attachment_13219\" aria-describedby=\"caption-attachment-13219\" style=\"width: 460px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13219\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/centralni-spomenici-1-1024x364.png\" alt=\"centralni spomenici 1\" width=\"460\" height=\"163\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/centralni-spomenici-1-1024x364.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/centralni-spomenici-1-300x106.png 300w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><figcaption id=\"caption-attachment-13219\" class=\"wp-caption-text\">-Osnove odabranih centralnih spomenika<\/figcaption><\/figure>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>&#8211;<em>Metoda modelovanja:<\/em><\/strong><\/p>\n<ul>\n<li>Formiranjem centralne ose, oko nje se, na osnovu ideje, grupi\u0161u profili. Profili mogu biti jednaki ili razli\u010diti, u zavisnosti od izgleda i ideje spomenika u celosti.<\/li>\n<\/ul>\n<figure id=\"attachment_13221\" aria-describedby=\"caption-attachment-13221\" style=\"width: 470px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/centralni-spomenici-celi.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13221\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/centralni-spomenici-profil-1-1024x453.png\" alt=\"centralni spomenici profil 1\" width=\"470\" height=\"208\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/centralni-spomenici-profil-1-1024x453.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/centralni-spomenici-profil-1-300x133.png 300w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><\/a><figcaption id=\"caption-attachment-13221\" class=\"wp-caption-text\">Profilli centralnih spomenika<\/figcaption><\/figure>\n<figure id=\"attachment_13220\" aria-describedby=\"caption-attachment-13220\" style=\"width: 715px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13220\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/centralni-spomenici-celi-1024x453.png\" alt=\"centralni spomenici celi\" width=\"715\" height=\"316\" \/><figcaption id=\"caption-attachment-13220\" class=\"wp-caption-text\">Izgledi spomenika<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<div style=\"width: 750px;\" class=\"wp-video\"><!--[if lt IE 9]><script>document.createElement('video');<\/script><![endif]-->\n<video class=\"wp-video-shortcode\" id=\"video-13207-1\" width=\"750\" height=\"422\" autoplay=\"1\" preload=\"auto\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Princip-rotacije.mp4?_=1\" \/><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Princip-rotacije.mp4\">https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Princip-rotacije.mp4<\/a><\/video><\/div>\n<p>&nbsp;<\/p>\n<p><strong>2) Forme zasnovane na odnosu linija i njihovih preseka<\/strong><\/p>\n<p><em><strong>\u00a0<\/strong>Obuhvataju dva pristupa modelovanju:<\/em><\/p>\n<p>a)<em><strong>Metoda modelovanja kori\u0161\u0107enjem 3Ds Maxa ili SketchUP-a<\/strong><\/em><\/p>\n<p>Mogu\u0107e varijante modelovanja podrazumevaju:<\/p>\n<p>&#8211; Solid formu, gde se pomo\u0107u odnosa ta\u010daka na kubusnoj formi postepeno dobija \u017eeljeni oblik spomenika.<\/p>\n<figure id=\"attachment_13226\" aria-describedby=\"caption-attachment-13226\" style=\"width: 640px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Sutjeska-sketchup.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13226 size-large\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Sutjeska-sketchup-1024x520.png\" alt=\"Sutjeska sketchup\" width=\"640\" height=\"325\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Sutjeska-sketchup-1024x520.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Sutjeska-sketchup-300x152.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Sutjeska-sketchup.png 1886w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><figcaption id=\"caption-attachment-13226\" class=\"wp-caption-text\">Radna verzija spomenika Sutjeska- SketchUP<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&#8211; Kreiranje amorfne forme na osnovu izgleda spomenika, a zatim formiranje poligonalne verzije iste forme (Low poly).<\/p>\n<figure id=\"attachment_13225\" aria-describedby=\"caption-attachment-13225\" style=\"width: 300px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13225 size-medium\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Low-poly-300x300.jpg\" alt=\"Low poly\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Low-poly-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Low-poly-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Low-poly-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Low-poly-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Low-poly-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Low-poly-128x128.jpg 128w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Low-poly.jpg 900w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-13225\" class=\"wp-caption-text\">Low poly metoda- online primer<\/figcaption><\/figure>\n<p>Za oba pristupa modelovanju neophodno je importovati fotografije ili tehni\u010dke crte\u017ee spomenika u referentnim pogledima. Postepenim pomeranjem, odnosno uvo\u0111enjem novih ta\u010daka, te\u017ei se ka \u0161to verodostojnijem modelu spomenika.<\/p>\n<figure id=\"attachment_14120\" aria-describedby=\"caption-attachment-14120\" style=\"width: 640px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Primer-modelovanja-3dsmax.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-14120 size-large\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Primer-modelovanja-3dsmax-1024x541.jpg\" alt=\"Primer modelovanja 3dsmax\" width=\"640\" height=\"338\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Primer-modelovanja-3dsmax-1024x541.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Primer-modelovanja-3dsmax-300x158.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/Primer-modelovanja-3dsmax.jpg 1400w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><figcaption id=\"caption-attachment-14120\" class=\"wp-caption-text\">Proces modelovanja na osnovu referentnih slika- radna verzija modela<\/figcaption><\/figure>\n<p><strong>\u00a0 \u00a0 <\/strong>b)\u00a0<strong><em><strong>Metoda parametarskog modelovanja kori\u0161\u0107enjem\u00a0Grasshopper-a<\/strong><\/em><\/strong><\/p>\n<p><em>Potencijalno najbolja opcija za modelovanje linijski dobijenih spomeni\u010dkih formi, zahvaljuju\u0107i primarnom kori\u0161\u0107enju linija, a ne povr\u0161i. Linije podrazumevaju osnovni element skice i ideje spomenika, pa kao takve predstavljaju najbolju osnovu iz koje treba pristupiti modelovanju.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>*Analiza metode parametarskog modelovanja:<\/strong><\/p>\n<p>-Osnovni princip modelovanja u Grasshopperu predstavlja formiranje prostorne krive kao osnove za samu orijentaciju modela. Na po\u010detku, sredini i kraju krive formiraju se krugovi u horizontalnici i horizontalnim ravnima, razli\u010ditog obima, odnosno povr\u0161ine.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/osnovni-princip-modelovanja.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-13228 size-large\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/osnovni-princip-modelovanja-1024x329.png\" alt=\"osnovni princip modelovanja\" width=\"640\" height=\"205\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/osnovni-princip-modelovanja-1024x329.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/osnovni-princip-modelovanja-300x96.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/osnovni-princip-modelovanja.png 1631w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Dimenzije krugova zavise od krajnje \u017eeljene forme. Jednak broj ta\u010daka raspore\u0111en je u ravni, unutar svakog kruga. Ta\u010dka u svakom krugu ima svoju zavisnu ta\u010dku u preostala dva kruga,\u00a0\u010dine\u0107i zajedno osnovne elemente linije. Sistemi ta\u010daka u razli\u010ditim krugovima\u00a0su me\u0111usobno zarotirani, kako bi se postiglo ukr\u0161tanje linija i &#8220;su\u017eenje&#8221; u centralnom krugu.<\/p>\n<p>Formirane linije od ta\u010daka predstavljaju osnovu za kreiranje poligonalnih formi (broj poligona ne mora biti jednak za svaku formu), koje bi u osnovi trebalo da ve\u0107inski pokriju povr\u0161inu kruga. Poligoni u prostoru prate linije, odnosno ta\u010dke koje ih formiraju, te se me\u0111usobnim ukr\u0161tanjem formi dobija oblik spomenika.<\/p>\n<figure id=\"attachment_13230\" aria-describedby=\"caption-attachment-13230\" style=\"width: 640px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/varijacije-u-odnosu-na-krivu.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13230 size-large\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/varijacije-u-odnosu-na-krivu-1024x329.png\" alt=\"varijacije u odnosu na krivu\" width=\"640\" height=\"205\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/varijacije-u-odnosu-na-krivu-1024x329.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/varijacije-u-odnosu-na-krivu-300x96.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/varijacije-u-odnosu-na-krivu.png 1631w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><figcaption id=\"caption-attachment-13230\" class=\"wp-caption-text\">Varijacija forme spomenika u odnosu na krivu<\/figcaption><\/figure>\n<figure id=\"attachment_13231\" aria-describedby=\"caption-attachment-13231\" style=\"width: 640px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/varijacije-u-odnosu-na-sirinu-kruga.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13231 size-large\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/varijacije-u-odnosu-na-sirinu-kruga-1024x329.png\" alt=\"varijacije u odnosu na sirinu kruga\" width=\"640\" height=\"205\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/varijacije-u-odnosu-na-sirinu-kruga-1024x329.png 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/varijacije-u-odnosu-na-sirinu-kruga-300x96.png 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2021\/04\/varijacije-u-odnosu-na-sirinu-kruga.png 1631w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><figcaption id=\"caption-attachment-13231\" class=\"wp-caption-text\">Varijacija forme spomenika u odnosu na obime krugova<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><strong><em>Nakon analize potencijalnih pristupa modelovanju, tre\u0107a faza rada podrazumevala bi upore\u0111ivanje na\u010dina na koje\u00a0se analizirane metode mogu upotrebiti za razvoj novih spomenika. Tako bi se odredilo da li i koje metode su\u00a0optimalne za rad na formi i konceptu i da li ih je mogu\u0107e kombinovati.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Opis: Istra\u017eivanjem potencijalnih na\u010dina za dobijanje formi spomenika, odabrani spomenici u prvoj fazi rada su klasifikovani u kategorije. Razumevanjem osnovne ideje spomenika, analiziraju se mogu\u0107i postupci dobijanja forme po kategorijama spomenika. &nbsp; Karakteristi\u010dne forme: 1)\u00a0 Forme\u00a0rotirane\u00a0oko centralne ose Podrazumevaju najjednostavniji pristup formiranja forme od ideje, gde se forma spomenika zasniva na centralnoj osi oko koje&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/fizicki-izraz-ideje-modernistickih-spomenika-pristupi-modelovanju\/\">Continue reading <span class=\"screen-reader-text\">Fizi\u010dki izraz ideje modernisti\u010dkih spomenika- pristupi modelovanju (FAZA II)<\/span><\/a><\/p>\n","protected":false},"author":451,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[453],"tags":[],"coauthors":[],"class_list":["post-13207","post","type-post","status-publish","format-standard","hentry","category-2021-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/13207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/451"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=13207"}],"version-history":[{"count":7,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/13207\/revisions"}],"predecessor-version":[{"id":14303,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/13207\/revisions\/14303"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=13207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=13207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=13207"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=13207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}