{"id":12136,"date":"2020-05-24T03:31:17","date_gmt":"2020-05-24T02:31:17","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=12136"},"modified":"2022-03-09T12:16:26","modified_gmt":"2022-03-09T11:16:26","slug":"primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/","title":{"rendered":"Primena i zna\u010daj likovne kompozicije u arhitektonskoj vizualizaciji Faza III"},"content":{"rendered":"<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-4444.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-12162 size-large\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-4444-1024x358.jpg\" alt=\"Untitled-4444\" width=\"640\" height=\"223\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-4444-1024x358.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-4444-300x104.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>U III fazi, sledi postavljanje ankete koja za cilj ima ispitivanje zna\u010daja elemenata kompozicije na fotografiji prilikom vizualizacije u arhitektonskom prezentovanju. Anketa se sastoji od 20 vizuala objekta koji su projektovani od strane dobitnika presti\u017ene Prickerove nagrade u periodu od 2016 do 2020 i objekata koji su progla\u0161eni za najru\u017enije na svetu.<\/p>\n<p>Po\u010detne pretpostavke<\/p>\n<p>\/ da kompozicija fotografije, vizure mo\u017ee da uti\u010de na podizanje vizualnih vrednosti objekata ni\u017ee arhitektonske vrednostu<\/p>\n<p>\/ da lo\u0161a kompozicija mo\u017ee da naru\u0161i objekte visoke vrednosti<\/p>\n<p>Nakom sprovedenog istra\u017eivanja putem ankete u kojoj je u\u010destvovalo 109 ljudi, 50 iz oblasti arhitekture i 59 iz drugih oblasti, dobijaju se slede\u0107i zaklju\u010dci<\/p>\n<div id='gallery-1' class='gallery galleryid-12136 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-2-11\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-22-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-22-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-22-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-22-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-22-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-22-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:124%;max-width:2471px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-11-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-111-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-111-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-111-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-111-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-111-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-111-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:119.69%;max-width:2468px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-4-4\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-4-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-4-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-4-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-4-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-4-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-4-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:118.24%;max-width:2467px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-13-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-13-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-13-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-13-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-13-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-13-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-13-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:116.3%;max-width:2467px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-1-19\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-11-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-11-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-11-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-11-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-11-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-11-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:125.92%;max-width:2469px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-10-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-10-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-10-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-10-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-10-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-10-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-10-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:108.4%;max-width:2463px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-5-4\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-5-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-5-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-5-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-5-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-5-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:116.34%;max-width:2467px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-14-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-14-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-14-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-14-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-14-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-14-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-14-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:112.98%;max-width:2465px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-3-7\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-31-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-31-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-31-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-31-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-31-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-31-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:124.48%;max-width:2471px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-12-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-12-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-12-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-12-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-12-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-12-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-12-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:110.39%;max-width:2455px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-30-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-30-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-30-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-30-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-30-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-30-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-30-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:70.7%;max-width:3508px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-19-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-19-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-19-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-19-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-19-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-19-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-19-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:115.45%;max-width:2466px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-9-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-9-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-9-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-9-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-9-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-9-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-9-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:113.29%;max-width:2461px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-18-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-18-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-18-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-18-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-18-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-18-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-18-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:114.92%;max-width:2466px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-7-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-7-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-7-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-7-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-7-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-7-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-7-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:112.45%;max-width:2465px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-15-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-15-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-15-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-15-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-15-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-15-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-15-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:116.63%;max-width:2459px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-8-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-8-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-8-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-8-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-8-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-8-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-8-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:113.8%;max-width:2457px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-17-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-17-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-17-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-17-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-17-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-17-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-17-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:116.86%;max-width:2467px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-6-4\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-6-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-6-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-6-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-6-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-6-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-6-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:115.9%;max-width:2466px;\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/untitled-16-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-16-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-16-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-16-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-16-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-16-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/Untitled-16-128x128.jpg 128w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" style=\"width:100%;height:117.11%;max-width:2466px;\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>\/ Vrednost objekata vi\u0161e arhitektonske vrednsoti je uz dobru vizualizaciju uo\u010dena kod obe vrste ispitanika<\/p>\n<p>\/ Vrednost objekata ni\u017ee arhitektonske vrednosti se u ve\u0107ini slu\u010dajeva uz dobaru kompoziciju pove\u0107ava<\/p>\n<p>\/ \u00a0Lo\u0161i vizuali u nekim slu\u010dajevima mogu da naru\u0161e vrednosti vrednovanih objekata, \u0161to se posebno uo\u010dava na primeru ispitanika koji se ne bave arhitekturom i njenim elementima<\/p>\n<p>\/ Vizali koji se uzimaju kao lo\u0161i mogu dobro da ispadnu i uz odgovarajuce sporedne elemente i teksturu koja dosta uti\u010de na atmosferu, zajedno sa elementima koji su akcenat na fasadi.<\/p>\n<p>\/ Prisustvo figura i drve\u0107a jako uti\u010de na akcentovanje objekta, isticanje njegove monumentalnosti i veoma je zna\u010dajno kao prate\u0107i element dobre likovne kompozicije u arhitekturi<\/p>\n<p>Zaklju\u010dak<\/p>\n<p>Na osnovu sprovedene ankete i rezultata koji se dobijaju, zaklju\u010dak je da kompozicija i odabir pravih materijala, tekstura i pozadine mo\u017ee u najve\u0107em broju slu\u010dajeva da bude presudan prilikom prezenrovanja ideja ni\u017ee, kao i isticanja najboljeg na objektima vi\u0161e arhitektonske vrednosti.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>U III fazi, sledi postavljanje ankete koja za cilj ima ispitivanje zna\u010daja elemenata kompozicije na fotografiji prilikom vizualizacije u arhitektonskom prezentovanju. Anketa se sastoji od 20 vizuala objekta koji su projektovani od strane dobitnika presti\u017ene Prickerove nagrade u periodu od 2016 do 2020 i objekata koji su progla\u0161eni za najru\u017enije na svetu. Po\u010detne pretpostavke \/&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/primena-i-znacaj-likovne-kompozicije-u-arhitektonskoj-vizualizaciji-faza-iii\/\">Continue reading <span class=\"screen-reader-text\">Primena i zna\u010daj likovne kompozicije u arhitektonskoj vizualizaciji Faza III<\/span><\/a><\/p>\n","protected":false},"author":434,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[433],"tags":[],"coauthors":[471],"class_list":["post-12136","post","type-post","status-publish","format-standard","hentry","category-1920-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/12136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/434"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=12136"}],"version-history":[{"count":2,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/12136\/revisions"}],"predecessor-version":[{"id":12163,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/12136\/revisions\/12163"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=12136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=12136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=12136"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=12136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}