{"id":12115,"date":"2020-05-22T14:11:49","date_gmt":"2020-05-22T13:11:49","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=12115"},"modified":"2020-06-10T12:40:53","modified_gmt":"2020-06-10T11:40:53","slug":"anamorfna-svetla-i-senke-3","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/anamorfna-svetla-i-senke-3\/","title":{"rendered":"Anamorfna svetla i senke ( III faza )"},"content":{"rendered":"<p>Faza III<\/p>\n<hr \/>\n<p>Po\u0161to smo u\u00a0prethodnoj fazi istra\u017eivanja definisali i odlu\u010dili se za program u kom \u0107emo najbolje predstaviti anamorfozu senki, i isplanirali na\u010din projektovanja pomo\u0107u svetla, u tre\u0107oj fazi je jedino preostalo da se projekat izvede. Analizom prostora i\u00a0odabira svetala u odnosu na polo\u017eaj predmeta, odlu\u010deno je da \u0107e svetlo koje je kori\u0161\u0107eno (Target light) najbolje, najjednostavnije i najjasnije prikazati\u00a0predmete na pozadini (plane).<\/p>\n<p>Na <em>slici 1,<\/em> u prvom delu izrade, frontalno u odnosu na &#8220;plane&#8221;, pozicionirano je svetlo koje je upereno\u00a0prema piramidi i dve sfere, pomo\u0107u kojeg zajedno sa datim oblicima dobijamo oblik srca na pozadini.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/14.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12116\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/14-300x216.jpg\" alt=\"1\" width=\"300\" height=\"216\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/14-300x216.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/14.jpg 562w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Na <em>slici 2<\/em>,\u00a0dodata je pramida koja predstavlja vrh strele, tri cilindra, jedan du\u017ei koji predstavlja \u0161tap i druga dva kra\u0107a koja predstavljaju pera.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/22.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12117\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/22-300x222.jpg\" alt=\"2\" width=\"300\" height=\"222\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/22-300x222.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/22.jpg 564w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Na <em>slici 3<\/em>,\u00a0dodat je tekst samo kako bi se lakse pozicionirale kutije i razli\u010diti oblici koji se kasnije koriste u izradi slova re\u010di \u201elove\u201c.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/32.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12118\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/32-300x228.jpg\" alt=\"3\" width=\"300\" height=\"228\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/32-300x228.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/32.jpg 562w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Na <em>slici 4<\/em>, predstavljen je finalni oblik ovog projekta. Kako bi tema projekta bila pogo\u0111ena, svi prethodno navedeni oblici su razbacani i razdovjeni, tako da bez uticaja svetla nemaju nikakvu obja\u0161njivu formu.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12119\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/4-300x189.jpg\" alt=\"4\" width=\"300\" height=\"189\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/4-300x189.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/4-1024x646.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/4.jpg 1644w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Na <em>slici 5<\/em>,\u00a0prikazan je sam kraj ovog projekta.<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/51.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12120\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/51-300x206.jpg\" alt=\"5\" width=\"300\" height=\"206\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/51-300x206.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/51-1024x703.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/05\/51.jpg 1572w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Zaklju\u010dak:<\/p>\n<p>Tokom istra\u017eivanja ste\u010den je utisak da je za izradu ovakvih modela najpogodniji program 3d Max, najvi\u0161e zbog velikog broja svetala koja mogu da se koriste. Izme\u0111u ostalog, postoji neograni\u010den broj zanimljivijih i samim tim te\u017eih oblika za stvaranje anamorfoze kroz odre\u0111ena svetla, tako da mislim da smo i ovim poku\u0161ajem klasi\u010dnih figura i oblika do\u0161li do \u017eeljenog efekta.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Faza III Po\u0161to smo u\u00a0prethodnoj fazi istra\u017eivanja definisali i odlu\u010dili se za program u kom \u0107emo najbolje predstaviti anamorfozu senki, i isplanirali na\u010din projektovanja pomo\u0107u svetla, u tre\u0107oj fazi je jedino preostalo da se projekat izvede. Analizom prostora i\u00a0odabira svetala u odnosu na polo\u017eaj predmeta, odlu\u010deno je da \u0107e svetlo koje je kori\u0161\u0107eno (Target light)&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/anamorfna-svetla-i-senke-3\/\">Continue reading <span class=\"screen-reader-text\">Anamorfna svetla i senke ( III faza )<\/span><\/a><\/p>\n","protected":false},"author":415,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[433],"tags":[],"coauthors":[],"class_list":["post-12115","post","type-post","status-publish","format-standard","hentry","category-1920-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/12115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/415"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=12115"}],"version-history":[{"count":3,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/12115\/revisions"}],"predecessor-version":[{"id":12369,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/12115\/revisions\/12369"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=12115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=12115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=12115"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=12115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}