{"id":11597,"date":"2020-04-24T16:48:55","date_gmt":"2020-04-24T15:48:55","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=11597"},"modified":"2020-06-11T19:59:44","modified_gmt":"2020-06-11T18:59:44","slug":"murali-i-anamorfne-senke-ii-faza","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/murali-i-anamorfne-senke-ii-faza\/","title":{"rendered":"Murali i anamorfne senke &#8211; II FAZA"},"content":{"rendered":"<p style=\"text-align: center\">Pozicije samog sunca naspram zida, odnosno aluminijumskih elementa, defini\u0161u senku, koja se naslikava na zid, davaju\u0107i \u017eeljeni efekat krila i pla\u0161ta.<\/p>\n<p style=\"text-align: center\">Optimalno mesto sagledavanja je 6 metara ispred zida, obele\u017eeno crvenom ta\u010dkom, koja je centralizovano prema muralu. Mural je visine 185 cm, \u0161to potpoma\u017ee sagledavanju celokupne kompozicije osobama prose\u010dnog rasta, dok za ni\u017ee osobe postoje platforme\u00a0raznih visina za posmatranje.<\/p>\n<p style=\"text-align: center\">Optimalno vreme sagledavanja kompozicije je izme\u0111u\u00a0<strong>11 i 13 \u010dasova<\/strong>.<\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12252 size-large alignnone\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/GIVSF-Pozicija-elemnata-1024x682.jpg\" alt=\"GIVSF Pozicija elemnata\" width=\"640\" height=\"426\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/GIVSF-Pozicija-elemnata-1024x682.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/GIVSF-Pozicija-elemnata-300x200.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12251 size-large\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/GIVSF-Bez-senke-1024x576.jpg\" alt=\"GIVSF Bez senke\" width=\"640\" height=\"360\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/GIVSF-Bez-senke-1024x576.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/GIVSF-Bez-senke-300x168.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p style=\"text-align: center\">Pomo\u0107ni elementi za fizi\u010dko ostvarenje koncepta su aluminijumski paneli,<br \/>\n\u010diji oblici variraju u zavisnosti od tra\u017eenog detalja,<br \/>\nkao i prirodno i ve\u0161ta\u010dko osvetljenje, pomo\u0107u kojih se dobija glavni element\u2014senka. Elementi su postavljeni horizontalno, iz razloga \u0161to kada\u00a0se sunce nalazi ta\u010dno iznad njih (izme\u0111u 11 i 13 \u010dasova), oni\u00a0bacaju \u017eeljenu senku na sam zid, \u010dime nam daju tra\u017eeni efekat kompletne kompozicije.<br \/>\nU ovom slu\u010daju aluminijumski paneli bi bili oka\u010deni na zid, oja\u010dani dodatnim tankim,<br \/>\n\u010deli\u010dnim \u0161ipkama u cilju postizanja stabilnosti i otpornosti prema vetru.<\/p>\n<p style=\"text-align: center\">Virtuelno ostvarenje koncepta se zasniva na softverima poput <strong>Archicad<\/strong>-a, <strong>Photoshop<\/strong>-a, <strong>Lumion<\/strong>-a i <strong>Sketchup<\/strong>-a, odnosno njihovih mogu\u0107nosti pri generisanju svetlosti i senke.<\/p>\n<p style=\"text-align: center\">\n","protected":false},"excerpt":{"rendered":"<p>Pozicije samog sunca naspram zida, odnosno aluminijumskih elementa, defini\u0161u senku, koja se naslikava na zid, davaju\u0107i \u017eeljeni efekat krila i pla\u0161ta. Optimalno mesto sagledavanja je 6 metara ispred zida, obele\u017eeno crvenom ta\u010dkom, koja je centralizovano prema muralu. Mural je visine 185 cm, \u0161to potpoma\u017ee sagledavanju celokupne kompozicije osobama prose\u010dnog rasta, dok za ni\u017ee osobe postoje&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/murali-i-anamorfne-senke-ii-faza\/\">Continue reading <span class=\"screen-reader-text\">Murali i anamorfne senke &#8211; II FAZA<\/span><\/a><\/p>\n","protected":false},"author":413,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[433],"tags":[],"coauthors":[],"class_list":["post-11597","post","type-post","status-publish","format-standard","hentry","category-1920-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/413"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=11597"}],"version-history":[{"count":6,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11597\/revisions"}],"predecessor-version":[{"id":12491,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11597\/revisions\/12491"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=11597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=11597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=11597"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=11597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}