{"id":11515,"date":"2020-04-18T12:45:27","date_gmt":"2020-04-18T11:45:27","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=11515"},"modified":"2022-03-09T13:00:51","modified_gmt":"2022-03-09T12:00:51","slug":"11515","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/11515\/","title":{"rendered":"Primena i zna\u010daj likovne kompozicije u arhitektonskoj vizualizaciji II faza"},"content":{"rendered":"<h1 class=\"entry-title\"><\/h1>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/2016.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-11516\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/2016-300x184.jpg\" alt=\"2016\" width=\"388\" height=\"238\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/2016-300x184.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/2016-1024x630.jpg 1024w\" sizes=\"auto, (max-width: 388px) 100vw, 388px\" \/><\/a><\/p>\n<p style=\"text-align: left;\">Nakon analize i odabira 10 objekata kojim se bavimo, prelazimo na drugu fazu istra\u017eivanja. Od odabranih objekata, preuzimamo 5 objekata iz arhitektonskog opusa, dobitnika Prickerove nagrade od 2016 do 2020. Za drugih 5 objekata biramo objektekoji su ocenjeni kao primeri ni\u017ee arhitektonske vrednosti\u2026<\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/25.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-11517\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/25-300x166.jpg\" alt=\"2\" width=\"394\" height=\"218\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/25-300x166.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/25-1024x569.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/25.jpg 1224w\" sizes=\"auto, (max-width: 394px) 100vw, 394px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/22222.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-11518\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/22222-300x185.jpg\" alt=\"22222\" width=\"392\" height=\"242\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/22222-300x185.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/04\/22222.jpg 981w\" sizes=\"auto, (max-width: 392px) 100vw, 392px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Projektovanjem konceptualnih modela odabranih objekata, dobijamo \u00a0podlogu koja je zna\u010dajna za drugi deo istrazivanaj. Drugi deo se ti\u010de pre svega \u00a0likovne kompozicije i kadriranja. Upotrebom razli\u010ditih pravila, izvla\u010dimo najbolje rendere projektovanih modela, vode\u0107i ra\u010duna o obliku i dominantnim elementim koji su veoma zna\u010dajni za razumevanje arhitekture, materijala ili dominantne teksture. Svi navedeni elementi predstavljaju zna\u010dajne smernice koje pored samog oblikovanja objekta poma\u017eu \u00a0u odabiru kadra \u00a0i \u00a0u potrebi pravila likovne kompozicije na datom modelu. Zna\u010daj kadra, ogleda se upravo \u00a0u razumevanju i isticanju onoga \u0161to je najbolje ili najreprezentativnije na objektu, modelu. Bilo da je u pitanju sam oblik objekta, materijalizacija ili sklad koji objekat istice\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.pritzkerprize.com\/\">https:\/\/www.pritzkerprize.com\/<\/a><\/p>\n<p><a href=\"https:\/\/list25.com\/25-ugliest-buildings-in-the-world-that-you-have-to-see-to-believe\/\">https:\/\/list25.com\/25-ugliest-buildings-in-the-world-that-you-have-to-see-to-believe\/<\/a><\/p>\n<p><a href=\"https:\/\/www.elledecor.com\/celebrity-style\/luxury-real-estate\/g3276\/carbuncle-cup\/\">https:\/\/www.elledecor.com\/celebrity-style\/luxury-real-estate\/g3276\/carbuncle-cup\/<\/a><\/p>\n<p><a href=\"https:\/\/travelling-geek.com\/pompidou-centre-possibly-frances-ugliest-building\/\">https:\/\/travelling-geek.com\/pompidou-centre-possibly-frances-ugliest-building\/<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=qTw_qay54WI\">https:\/\/www.youtube.com\/watch?v=qTw_qay54WI<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nakon analize i odabira 10 objekata kojim se bavimo, prelazimo na drugu fazu istra\u017eivanja. Od odabranih objekata, preuzimamo 5 objekata iz arhitektonskog opusa, dobitnika Prickerove nagrade od 2016 do 2020. Za drugih 5 objekata biramo objektekoji su ocenjeni kao primeri ni\u017ee arhitektonske vrednosti\u2026 &nbsp; &nbsp; Projektovanjem konceptualnih modela odabranih objekata, dobijamo \u00a0podlogu koja je zna\u010dajna&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/11515\/\">Continue reading <span class=\"screen-reader-text\">Primena i zna\u010daj likovne kompozicije u arhitektonskoj vizualizaciji II faza<\/span><\/a><\/p>\n","protected":false},"author":434,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[433],"tags":[],"coauthors":[471],"class_list":["post-11515","post","type-post","status-publish","format-standard","hentry","category-1920-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/434"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=11515"}],"version-history":[{"count":2,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11515\/revisions"}],"predecessor-version":[{"id":15411,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11515\/revisions\/15411"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=11515"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=11515"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=11515"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=11515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}