{"id":11347,"date":"2020-04-12T21:30:09","date_gmt":"2020-04-12T20:30:09","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=11347"},"modified":"2020-05-17T12:58:15","modified_gmt":"2020-05-17T11:58:15","slug":"formiranje-portreta-koriscenjem-struna-u-boji-faza-ii","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/formiranje-portreta-koriscenjem-struna-u-boji-faza-ii\/","title":{"rendered":"Formiranje portreta kori\u0161\u0107enjem struna u boji – Faza II"},"content":{"rendered":"

Druga faza istra\u017eivanja podrazumeva formiranje portreta koriste\u0107i dve razli\u010dite metode.<\/p>\n

Metoda 1<\/strong><\/p>\n

\"Koolhaas\"<\/a>Metoda 1 zahteva da se odabrana slika razlo\u017ei na RGB komponente kako se za dobijanje upustva za tkanje koristi kod koji zahteva crno-bele slike (link:https:\/\/github.com\/christiansiegel\/knitter<\/a>) Slike je potrebno obraditi u Photoshop-u tako da je zastupljenost boje na slici prikazana crno-belim gradijentom gde crno predstavlja mesto velike zastupljenosti boje a belo male. Ulazni podaci su onda tri crno bele slike zastupljenosti RGB komponenti i jedna crno-bela koja prestavlja zastupljenost svetilih i tamnih tonova na slici. Izlazni text fajlovi prestavljaju upustva za dobijanje portreta koja sadr\u017ee broj strune, pin na kojem se zavr\u0161ava i informacije o ukupnoj du\u017eini struna koja znatno olak\u0161ava nabavku materijala.<\/p>\n

String #2997 -> next pin: 106
\nString #2998 -> next pin: 36
\nString #2999 -> next pin: 132
\nTotal thread length: 3195 m<\/p>\n

\"Red\"<\/a>\"Green\"<\/a>\"Blue\"<\/a>\"Black\"<\/a><\/p>\n

Dobijeni podaci\u00a0su dalje obra\u0111eni u Rhinu i Grasshopperu da bi se dobio model finalnog rezultata, a zatim je taj model uve\u017een u 3Ds max da se izrenderuje.<\/p>\n

Portret je izveden sa 4 boje struna, po 1500 struna za komponente u boji i 3000 struna za crnu boju.<\/p>\n

\"Render2\"<\/a>\u00a0 \u00a0 \u00a0\"Render\"<\/a><\/p>\n

Metoda 2<\/strong><\/p>\n

Metoda 2 podrazumeva kori\u0161\u0107enje postoje\u0107eg koda za formiranje slike u boji (link:https:\/\/github.com\/i-make-robots\/weaving_algorithm<\/a>) koji je prilago\u0111en za potrebe ovog istra\u017eivanja. Ulazni podatak je slika u boji, a izlazni upustvo za tkanje koje sadr\u017ei informacije o redosledu struna, boji strune, kao i pinova koji defini\u0161u strunu.<\/p>\n

363 : black\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0151\u00a0 \u00a0 \u00a0 \u00a026\u00a0 \u00a0 \u00a0 \u00a0 -243.21775817871094
\n364 : green\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 178\u00a0 \u00a0 \u00a0 \u00a083\u00a0 \u00a0 \u00a0 \u00a0 -67.09256744384766
\n365 : darkgreen\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 16\u00a0 \u00a0 \u00a0184\u00a0 \u00a0 \u00a0 \u00a0 -258.4837951660156
\n366 : orange\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 33\u00a0 \u00a0 \u00a0137\u00a0 \u00a0 \u00a0 \u00a0 -101.96784973144531<\/p>\n

Dobijeni portret je izveden kori\u0161\u0107enjem 5 boja struna, ukupno 4540 struna u nepoznatom odnosu.<\/p>\n

\"Color\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Druga faza istra\u017eivanja podrazumeva formiranje portreta koriste\u0107i dve razli\u010dite metode. Metoda 1 Metoda 1 zahteva da se odabrana slika razlo\u017ei na RGB komponente kako se za dobijanje upustva za tkanje koristi kod koji zahteva crno-bele slike (link:https:\/\/github.com\/christiansiegel\/knitter) Slike je potrebno obraditi u Photoshop-u tako da je zastupljenost boje na slici prikazana crno-belim gradijentom gde crno… Continue reading Formiranje portreta kori\u0161\u0107enjem struna u boji – Faza II<\/span><\/a><\/p>\n","protected":false},"author":411,"featured_media":11373,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[433],"tags":[434],"coauthors":[],"class_list":["post-11347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1920-radovi","tag-string-art","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/411"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=11347"}],"version-history":[{"count":11,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11347\/revisions"}],"predecessor-version":[{"id":11956,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11347\/revisions\/11956"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media\/11373"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=11347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=11347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=11347"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=11347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}