{"id":11306,"date":"2020-04-13T09:06:08","date_gmt":"2020-04-13T08:06:08","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=11306"},"modified":"2020-05-26T19:48:33","modified_gmt":"2020-05-26T18:48:33","slug":"nightmare-creature-faza-ii","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/nightmare-creature-faza-ii\/","title":{"rendered":"Nightmare Creature-faza II"},"content":{"rendered":"

Faza II<\/strong><\/p>\n

Istra\u017eivanje i pa\u017eljiva izrada celokupnog karaktera, kao i njegovih detalja, govori mnogo o tome na koji na\u010din se odredjeni lik pona\u0161a i pokre\u0107e, pa i kako razmi\u0161lja. Da bi se fizi\u010dki izgled uklopio sa psihom karaktera, potrebno je oprezno\u00a0formirati crte svakog dela tela. Pored toga, va\u017eno je i precizno odabrati boje, \u0161are, teksture, kako bi definisali jo\u0161 vi\u0161e osobina koje neki karakter poseduje.<\/p>\n

Proces druge faze istra\u017eivanja:<\/strong>
\n1.<\/strong> Istra\u017eivanje anatomije \u010doveka i analiza razli\u010ditih struktura i polo\u017eaja tela razli\u010ditih bi\u0107a
\n2.<\/strong> Razmatranje na koji na\u010din se najlak\u0161e mo\u017ee izmodelovati karakter-podela lika na segmente <\/em>
\n3.<\/strong> Detalji kod izrade ko\u017ee
\n<\/em>
\n1. <\/strong><\/em>Primeri izgleda tela, mi\u0161i\u0107a i detalja na koje se treba osvrnuti.
\n\"98058486_250874309326678_928929957868994560_n\"<\/a>\u00a0\u00a0\"98201028_269672634225220_4419216031243829248_n\"<\/a> \"Zbrush1\"\u00a0\u00a0<\/a>
\n\"1902-tid-5-jpg.ly9q1w.image.n5u\"
\n\"86888881ab84160b48d8a968ec58b3c7\"<\/p>\n

2.<\/strong><\/em>\u00a0Karakter je napravljen iz vi\u0161e delova kako bi bilo lak\u0161e namestiti odgovaraju\u0107u poziciju tela-odvojeno glava, telo, ruke i noge.
\nNakon ubacivanja odre\u0111enog subtool-a, kori\u0161\u0107ene su uglavnom dve osnovne alatke: “Move Tool”<\/em> i “ClayBuildup”<\/em>, koje su najvi\u0161e pomogle u formiranju zami\u0161ljenog bi\u0107a.
\nNakon name\u0161tanja pozicije tela, i formiranja mi\u0161i\u0107a i pojedinih detalja na telu karaktera, delovi su spojeni (opcija “Merge down”<\/em>).
\nProblem koji se pojavio pri modelovanju i menjanju polo\u017eaja delova tela jeste mali broj poligona. Alatkom Dynamesh<\/em> pove\u0107ava se rezolucija, samim tim i broj poligona.<\/p>\n

\"92739252_1456198444582618_3260413522407849984_n\"
\n\"92893961_156531912362243_5009071107211264000_n\"
\n\"92953221_547418082868910_1743480152051941376_n\"<\/p>\n

3.<\/strong><\/em>Detalji o kojima generalno treba dalje razmi\u0161ljati jesu na\u010dini na koji se mogu izaditi istaknuta rebra, nokti i zavoj koji se obmotava oko celog karaktera. Tako\u0111e materijali koji \u010dine lika i teksture,<\/p>\n

Linkovi:
\n<\/strong>
\nhttps:\/\/www.youtube.com\/watch?v=iAVGcCuSjxA&fbclid=IwAR1cf__1o-Za81YeYkt1ObM7QABUlXtnK7YVxOtViHU9SSpJvQZG2DfSWdc<\/a><\/p>\n

https:\/\/www.youtube.com\/watch?v=Fpz2qLmQIbc&fbclid=IwAR2-
\nJbBgutbiakwt6SSUBHxQ5C9IDaSb4luC4G8sVgesHj7_2b6Sz27GgsQ<\/a><\/p>\n

https:\/\/www.youtube.com\/watch?v=4-sE6dponlE&fbclid=IwAR0tDSHUKRcpVIyuXlIFFHCZENoeSk3T78rG1IitPxGypA3_BSX-jaCKQI8<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Faza II Istra\u017eivanje i pa\u017eljiva izrada celokupnog karaktera, kao i njegovih detalja, govori mnogo o tome na koji na\u010din se odredjeni lik pona\u0161a i pokre\u0107e, pa i kako razmi\u0161lja. Da bi se fizi\u010dki izgled uklopio sa psihom karaktera, potrebno je oprezno\u00a0formirati crte svakog dela tela. Pored toga, va\u017eno je i precizno odabrati boje, \u0161are, teksture,… Continue reading Nightmare Creature-faza II<\/span><\/a><\/p>\n","protected":false},"author":418,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[433],"tags":[],"coauthors":[],"class_list":["post-11306","post","type-post","status-publish","format-standard","hentry","category-1920-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/418"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=11306"}],"version-history":[{"count":3,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11306\/revisions"}],"predecessor-version":[{"id":12224,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11306\/revisions\/12224"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=11306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=11306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=11306"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=11306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}