{"id":11123,"date":"2020-04-01T17:15:17","date_gmt":"2020-04-01T16:15:17","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=11123"},"modified":"2020-05-17T12:59:50","modified_gmt":"2020-05-17T11:59:50","slug":"formiranje-portreta-koriscenjem-struna-u-boji","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/formiranje-portreta-koriscenjem-struna-u-boji\/","title":{"rendered":"Formiranje portreta kori\u0161\u0107enjem struna u boji &#8211; Faza I"},"content":{"rendered":"<p style=\"text-align: left\">Oblast istra\u017eivanja je formiranje slike u boji kori\u0161\u0107enjem struna. Trenutno postoji mnogo resursa za formiranje crno-belih slika od struna, \u0161to nije slu\u010daj za slike u boji, te je primena ove tehnike retka i ograni\u010dena na svega nekoliko ljudi, od kojih je prvi Petros Vrellis (<a href=\"http:\/\/artof01.com\/vrellis\/works\/knit.html\">http:\/\/artof01.com\/vrellis\/works\/knit.html<\/a>).<\/p>\n<p style=\"text-align: left\"><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/venus_s1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-10866\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/venus_s1-300x300.jpg\" alt=\"venus_s\" width=\"350\" height=\"350\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/venus_s1-300x300.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/venus_s1-150x150.jpg 150w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/venus_s1-32x32.jpg 32w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/venus_s1-64x64.jpg 64w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/venus_s1-96x96.jpg 96w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/venus_s1-128x128.jpg 128w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/venus_s1.jpg 500w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a><\/p>\n<p>Ova tehnika mo\u017ee da ima primenu u enterijeru, stoga je cilj ovog istra\u017eivanja da se utvrdi metoda koja daje\u00a0optimalno re\u0161enje za najkra\u0107e vreme. Kroz sve korake realizacije jednog portreta \u0107e se porediti dve metode, jedna koja koristi vi\u0161e programa, vi\u0161e manualnog rada i druga koja bi izmenom postoje\u0107eg koda za crno-bele portrete zna\u010dajno trebala da skrati vreme realizacije.<\/p>\n<p>Sama realizacija se deli u tri faze, prva koja zahteva obradu ulaznih podataka (slike) i obradu kori\u0161\u0107enjem koda (<a href=\"https:\/\/github.com\/christiansiegel\/knitter\">https:\/\/github.com\/christiansiegel\/knitter<\/a> ili sli\u010dnog). Druga koja zahteva obradu izlaznih podataka i analizu varijacija u redosledu komponenti. Tre\u0107a koja zahteva vizuelizaciju svih varijacija, njihovu valorizaciju i finalno odabir uspe\u0161nije metode.<\/p>\n<p>Kori\u0161\u0107enjem ove metode i primenom ma\u0161ine namenjene za fabrikaciju slika od struna (<a href=\"https:\/\/www.youtube.com\/watch?v=g38fweiwslY\">https:\/\/www.youtube.com\/watch?v=g38fweiwslY<\/a>) ono \u0161to je bio ru\u010dni, zamorni rad rezervisan za iskusne umetnike postaje u celosti automatizovan proces.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oblast istra\u017eivanja je formiranje slike u boji kori\u0161\u0107enjem struna. Trenutno postoji mnogo resursa za formiranje crno-belih slika od struna, \u0161to nije slu\u010daj za slike u boji, te je primena ove tehnike retka i ograni\u010dena na svega nekoliko ljudi, od kojih je prvi Petros Vrellis (http:\/\/artof01.com\/vrellis\/works\/knit.html). Ova tehnika mo\u017ee da ima primenu u enterijeru, stoga je&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/formiranje-portreta-koriscenjem-struna-u-boji\/\">Continue reading <span class=\"screen-reader-text\">Formiranje portreta kori\u0161\u0107enjem struna u boji &#8211; Faza I<\/span><\/a><\/p>\n","protected":false},"author":411,"featured_media":11151,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[433],"tags":[434],"coauthors":[],"class_list":["post-11123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1920-radovi","tag-string-art","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/411"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=11123"}],"version-history":[{"count":5,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11123\/revisions"}],"predecessor-version":[{"id":11957,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11123\/revisions\/11957"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media\/11151"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=11123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=11123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=11123"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=11123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}