{"id":11012,"date":"2020-03-31T16:11:57","date_gmt":"2020-03-31T15:11:57","guid":{"rendered":"https:\/\/www.arhns.uns.ac.rs\/givsf\/?p=11012"},"modified":"2020-03-31T16:12:30","modified_gmt":"2020-03-31T15:12:30","slug":"anamorfoza-lika-na-cilindricnom-ogledalu-faza-i","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/givsf\/anamorfoza-lika-na-cilindricnom-ogledalu-faza-i\/","title":{"rendered":"Anamorfoza lika na cilindri\u010dnom ogledalu (faza I)"},"content":{"rendered":"<p><a href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/11.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11019 size-large\" src=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/11-1024x535.jpg\" alt=\"1\" width=\"640\" height=\"334\" srcset=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/11-1024x535.jpg 1024w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/11-300x157.jpg 300w, https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-content\/uploads\/2020\/03\/11.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Oblast i tema istra\u017eivanja: Cilindri\u010dna anamorfoza.<\/p>\n<p>Anamorfoza \u00a0je projekcija ili perspektiva koja od posmatra\u010da zahteva \u00a0zauzimanje posebnog gledi\u0161ta da bi rekonstruisao sliku.<\/p>\n<p>Istra\u017eivanje se zasniva na modelovanju nepravilne skulpture koja se reflektuje na cilindri\u010dnoj povr\u0161ini koja pogledom sa izvesne ta\u010dke stvara jasnu sliku bez ijedne deformacije.<\/p>\n<p>Problem koji \u0107e se istra\u017eivati- Na\u0107i najbolji na\u010din za modelovanje deformisanog tela koji \u0107e reflektovati \u0161to jasniju sliku zami\u0161ljene skulpture na ogledalu.<\/p>\n<p>Zna\u010daj problema i cilj istra\u017eivanja &#8211; Sagledavanje skulpture i odraza iz vi\u0161e uglova i prepoznavanje slike.<\/p>\n<p>Na\u010din za re\u0161avanje problema i metode istra\u017eivanja \u2013 Odabir odgovaraju\u0107eg modela i pronalazak najefikasnijeg na\u010dina za \u00a0modelovanje pomo\u0107u softvera 3Ds max ili Blender. Nakon modelovanja skulpture, potrebno je razvijanje modela do odgovaraju\u0107eg ugla i dobijanje deformisane skulpture koja \u0107e odgovarati projekciji zami\u0161ljene slike.<\/p>\n<p>Model se i\u0161tampati pomo\u0107u 3D \u0161tampa\u010da. Ogledalo za sagledavanje \u0107e biti konveksno.<\/p>\n<p>Referentni linkovi:<\/p>\n<p><a href=\"https:\/\/mymodernmet.com\/anamorphic-sculptures-jonty-hurwitz\/\">https:\/\/mymodernmet.com\/anamorphic-sculptures-jonty-hurwitz\/<\/a><\/p>\n<p><a href=\"https:\/\/dizajnproizvoda.wixsite.com\/studio-17\/single-post\/2013\/01\/03\/ANAMORFOZA\">https:\/\/dizajnproizvoda.wixsite.com\/studio-17\/single-post\/2013\/01\/03\/ANAMORFOZA<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=eo4N075HIRY\">https:\/\/www.youtube.com\/watch?v=eo4N075HIRY<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oblast i tema istra\u017eivanja: Cilindri\u010dna anamorfoza. Anamorfoza \u00a0je projekcija ili perspektiva koja od posmatra\u010da zahteva \u00a0zauzimanje posebnog gledi\u0161ta da bi rekonstruisao sliku. Istra\u017eivanje se zasniva na modelovanju nepravilne skulpture koja se reflektuje na cilindri\u010dnoj povr\u0161ini koja pogledom sa izvesne ta\u010dke stvara jasnu sliku bez ijedne deformacije. Problem koji \u0107e se istra\u017eivati- Na\u0107i najbolji na\u010din za&hellip; <a class=\"more-link\" href=\"https:\/\/www.arhns.uns.ac.rs\/givsf\/anamorfoza-lika-na-cilindricnom-ogledalu-faza-i\/\">Continue reading <span class=\"screen-reader-text\">Anamorfoza lika na cilindri\u010dnom ogledalu (faza I)<\/span><\/a><\/p>\n","protected":false},"author":429,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[433],"tags":[],"coauthors":[],"class_list":["post-11012","post","type-post","status-publish","format-standard","hentry","category-1920-radovi","entry"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/users\/429"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/comments?post=11012"}],"version-history":[{"count":2,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11012\/revisions"}],"predecessor-version":[{"id":11029,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/posts\/11012\/revisions\/11029"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/media?parent=11012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/categories?post=11012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/tags?post=11012"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/givsf\/wp-json\/wp\/v2\/coauthors?post=11012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}