{"id":1655,"date":"2018-07-10T22:14:14","date_gmt":"2018-07-10T22:14:14","guid":{"rendered":"http:\/\/www.arhns.uns.ac.rs\/cdd\/?p=1655"},"modified":"2018-07-11T07:04:46","modified_gmt":"2018-07-11T07:04:46","slug":"designing-complexity-department-of-architecture-and-urbanism-novi-sad-serbia-june-2018","status":"publish","type":"post","link":"https:\/\/www.arhns.uns.ac.rs\/cdd\/designing-complexity-department-of-architecture-and-urbanism-novi-sad-serbia-june-2018\/","title":{"rendered":"Designing Complexity, Department of Architecture and Urbanism, Novi Sad, Serbia, June 2018"},"content":{"rendered":"

The continuous technological development proliferates the complex relationships in both abstract and the real world environment and shapes the society in a new way. Digital design tools and techniques, production and scientific methods provide a good foundation for a new interpretation of the geometry and complex design in the contemporary age. Different levels and aspects of complexity influence the design appearance and make the designers rethink the design process, since possibilities of integration of the complexity into the core\u00a0of the design process continually increases.<\/span>\u00a0<\/span>In architecture, design and art, geometry and complexity are present in many ways. The exhibition \u201d\u00a0DESIGNING COMPLEXITY\u201d focuses on the re-embodiment of geometry and complexity in architecture, design and art which relates the digital technologies and innovative design approaches.<\/p>\n

Participants:
\nKyriaki Goti, Shir Katz (Germany),
\nPaul Clemens Bart, Marvin Bratke, Alexander Grasser (Germany),
\nJames Forren, Aziza Asatkhojaeva, Liam Guitard, Amber Kilborn, Ryan Vandervliet (Canada),
\nJan Cudzik, Robert Juchnevic, Kacper Radziszewski (Poland),
\nAlberto de Salvatierra, Christopher Reznich (USA),
\nMarko Vu\u010di\u0107, Vesna Stojakovi\u0107, Bojan Tepav\u010devi\u0107, Marko Jovanovi\u0107, Dejan Mitov, Ivana Baj\u0161anski (Serbia),
\nFlavia Ghirotto Santos, Dmytro Aranchii, Iris Jiang (Germany),
\nSr\u0111an Markovi\u0107, Marija Obradovi\u0107 (Serbia),
\nAlberto T. Est\u00e9vez, Pablo Baquero, Aranzazu Balfag\u00f3n, Mariola Borrell, Josep Corc\u00f3, Karl S. Chu, Dennis Dollens, Gabriel Fern\u00e1ndez, Agust\u00ed Fontarnau, Daniela Frogheri, Effimia Giannopoulou, Maruan C. Halabi, Affonso Orciuoli, Ignasi P\u00e9rez Arnal, Angad Warang (Spain),
\nJelena Milo\u0161evi\u0107, Ognjen Graovac, Mihailo Simi\u0107, Vanja Spasenovi\u0107, Darija Ra\u0161eta (Serbia),
\nMaja Petrovi\u0107, Radovan \u0160tuli\u0107 (Serbia),
\nMiljan Stevanovi\u0107, Petar Pejic (Serbia),
\nDarko Stanimirovi\u0107, Nenad Peja\u0161inovi\u0107, Tijana Palkovljevi\u0107 Bugarski, Jelena Ognjanovi\u0107, Miroslava \u017darkov (Serbia),
\nAna Miki\u0107 D\u2019Apuzzo (Switzerland),
\nCarina Carmo, Maria Lygia (Brazil),
\nHellmuth Stachel (Austria),
\nArne Riekstins\u00a0with students (Mexico),
\nMilena Stavri\u0107,\u00a0 Albert Wiltsche with students (Austria and Serbia),
\nZlata To\u0161i\u0107 (Serbia),
\nDavor Filipovi\u0107 (Serbia),
\nAleksandar \u0110or\u0111evi\u0107 (Serbia),
\nStefan Stoj\u010di\u0107 (Serbia),
\nDanilo Niki\u0107, Sini\u0161a Jovanovi\u0107 (Serbia)<\/p>\n

\"37\"<\/a>\"38\"<\/a>\"39\"<\/a>\"40\"<\/a>\"41\"<\/a>\"42\"<\/a>\"43\"<\/a>\"44\"<\/a>\"45\"<\/a>\"46\"<\/a>\"47\"<\/a>\"48\"<\/a>\"49\"<\/a>\"50\"<\/a>\"51\"<\/a>\"52\"<\/a>\"53\"<\/a>\"55\"<\/a>\"54\"<\/a>\"56\"<\/a>\"57\"<\/a>\"58\"<\/a>\"59\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The continuous technological development proliferates the complex relationships in both abstract and the real world environment and shapes the society in a new way. Digital design tools and techniques, production and scientific methods provide a good foundation for a new interpretation of the geometry and complex design in the contemporary age. Different levels and aspects…Read more Designing Complexity, Department of Architecture and Urbanism, Novi Sad, Serbia, June 2018<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":1659,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38],"tags":[],"class_list":["post-1655","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"_links":{"self":[{"href":"https:\/\/www.arhns.uns.ac.rs\/cdd\/wp-json\/wp\/v2\/posts\/1655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arhns.uns.ac.rs\/cdd\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arhns.uns.ac.rs\/cdd\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/cdd\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/cdd\/wp-json\/wp\/v2\/comments?post=1655"}],"version-history":[{"count":5,"href":"https:\/\/www.arhns.uns.ac.rs\/cdd\/wp-json\/wp\/v2\/posts\/1655\/revisions"}],"predecessor-version":[{"id":1665,"href":"https:\/\/www.arhns.uns.ac.rs\/cdd\/wp-json\/wp\/v2\/posts\/1655\/revisions\/1665"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/cdd\/wp-json\/wp\/v2\/media\/1659"}],"wp:attachment":[{"href":"https:\/\/www.arhns.uns.ac.rs\/cdd\/wp-json\/wp\/v2\/media?parent=1655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/cdd\/wp-json\/wp\/v2\/categories?post=1655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arhns.uns.ac.rs\/cdd\/wp-json\/wp\/v2\/tags?post=1655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}